13 posts tagged "Shala Monroque"
Earrings made a big comeback—”big” in both size and scope—at the Spring shows. Marni‘s Consuelo Castiglioni led the way, accessorizing her Fall collection with door knocker-sized baubles and making ear candy in the form of mod, colorful hoops a big part of her story this season. Boho glam chandeliers punctuated every look at Oscar de la Renta and Emilio Pucci, while Dolce & Gabbana and Missoni turned up the kitsch factor with garden vegetables and gilded critters, respectively. Needless to say, street-style darlings like Shala Monroque, Anna Dello Russo, and Miroslava Duma kept up with the runways, showing off their jumbo-sized earrings in many a front row. But we’ve got to give props to stylist Catherine Baba, whose rotating collection of shoulder-scrapers is arguably as signature as her ubiquitous two-speed bike.
CLICK FOR A SLIDESHOW, and let us know if you’ll be giving your ears a lift with a pair of statement earrings.
What’s old is new once more. During the Spring shows, we noticed more than a few front-row fixtures decked out in cameos. “It is a true renaissance,” says Amedeo Scognamiglio, whose family has been hand-carving the baubles since 1857. “My father always told me, ‘Cameos may get ill, but they never die.’ ” For proof that these portrait pieces are alive and kicking, see Miroslava Duma in a necklace and ring set, Shala Monroque with an oversize brooch, and Giovanna Battaglia wearing earrings to match her Gio signet ring. In-demand designers have recently latched onto the vintage trend, too. Tom Binns’ latest collection spotlights Technicolor cameos, and Dolce & Gabbana showed them on its Fall runway. But in terms of showstoppers, the tiara that Princess Victoria of Sweden wore to her wedding last year (a crown that originally belonged to Napoleon’s Empress Josephine) definitely takes the cake.
CLICK FOR A SLIDESHOW, and let us know if you plan on a cameo appearance this season.
To make a star, or perpetuate one? That was the question the judges of this year’s Dorchester Collection Fashion Prize asked themselves as they deliberated over a list of 77 contending designers at New York’s Le Bernardin on Wednesday afternoon. After two hours of discussion, this year’s panel of judges, which included Calvin Klein’s Francisco Costa (pictured, right), Thom Browne, Marchesa’s Keren Craig, Giovanna Battaglia, Elizabeth Saltzman Walker, Derek Blasberg, Shala Monroque, and Lauren Santo Domingo, had whittled the list down to five names in a miraculously seamless manner.
“Let me tell you, last year it was not that easy—there was definitely shouting,” said Bronwyn Cosgrave of the panel she assembled last year. (The group included the likes of Manolo Blahnik and Daphne Guinness, and gave the top prize to Thomas Tait.) “I’m excited by this year’s list because at the end of the day, I started this project to help young designers get their name out there and to support them.” That mission became a clear group initiative after judges repeatedly brought up familiar names like Cushnie et Ochs, Ohne Titel, and Jen Kao, and then eventually removed them from the running for the $40,000 prize and the opportunity to show during Paris Fashion Week. Instead, the group chose lesser-known names like jewelry label Anndra Neen, Sofia Sizzi’s womenswear line, Giulietta, Siki Im (pictured, left), and Setareh Mohtarez (an unknown who judges repeatedly mentioned for the beautiful sculptural work). The only debatable exception to the rule was the fifth finalist: Julian Louie. “He interned for me at Calvin and he’s extremely talented,” Costa said of the designer. In addition to working with Costa, he’s received guidance from Santo Domingo, and recently finished a shoe collaboration with Aldo. The winner will be announced in late October.
The Webster co-founder Laure Heriard Dubreuil and her boyfriend, artist Aaron Young, hit Venice this week for the legendary Biennale di Venezia. For those farther than a vaporetto away from the action, she’s sending back updates on the sights and the sounds (and a few parties, too).
Today, Aaron and I went to the opening at the Palazzo Grassi, the art-filled manse owned by the Pinault family. I met Shala Monroque in front of Joana Vasconcelos’ sculpture Contamination, a patchwork sprawl of brightly colored forms that invades every nook and cranny of the Palazzo (above). Contamination is huge, and it’s growing—Vasconcelos uses materials she either makes or finds, and she adds new elements each time she installs it. It really spreads like a virus, taking over the whole Palazzo. She makes a strong case for so-called “female” crafts like sewing, knitting, and crocheting being valid means of artistic expression—not just artisan craftwork.
Later, I stopped in at the shop of my favorite Venetian jewelry designer, Antonia Miletto, who is doing little cocktail parties every day to offer some festival relief. Couldn’t resist trying a few pieces on. I loved her thick chain ring in sterling silver with a tiny peridot (left), as well as diamond-encrusted bracelets in yellow gold and skull pendants in gold and sapphire—very Venetian.
After dinner with friends—where I discovered a new (but very old in Venice) drink, the Sgroppino, vodka with Prosecco and lemon sorbet!—we headed to the Maurizio Cattelan party for his magazine, Toilet Paper, at the military fortress San Sereolo. Everybody was wondering if Maurizio is going to continue working after his joke that he’d quit—but it doesn’t seem to be true. He installed a series of sculptures called Tourists all around the city—they’re pigeons, just like the real ones that wander all through Venice (below). Continue Reading “Postcard From Venice: Laure Heriard Dubreuil Reports From The Biennale” »
“Those outfits would have been great for someone for the Met ball,” Shala Monroque said as she eyed Thomas Tait’s collection, which stood on display last night at the Palace Hotel. “It feels like a cross between Celine and vintage Balenciaga.”
Tait won the first Dorchester Collection Fashion Prize last year, awarded by a panel that included Manolo Blahnik, Stephen Jones, and Daphne Guinness. Monroque—who we wouldn’t be surprised to see stepping out in one of Tait’s two-tone multi-pleated leather skirts—is one of the judges for this year’s competition. Joining her on the panel (and at last night’s event) were some of her fellow jurors, Giovanna Battaglia, Francisco Costa, Thom Browne, and Derek Blasberg.
The designer who takes the prize this year has a lot to live up to. Tait’s modern, sleek aesthetic was the talk of the evening, inviting comparisons with designers like Costa. The Calvin Klein Collection creative director himself admitted as much. “I am so very impressed and excited by such young talent,” Costa marveled. “You don’t see this often.”
Canadian-born Tait remained modest. “I just want to be happy and keep my hands in the work that I’m doing as I expand my business,” he said, sipping the namesake cocktail Belvedere created for the occasion, an electric blue blueberry concoction. Expanding is what he’s doing, both with his own collection and a new leather capsule range with retailer ASOS. “It’s nice to be reaching an audience that might be familiar with my work, but they might not be able to afford it,” he told Style.com.