7 posts tagged "Sky Ferreira"
Last week, i-D rolled out its eye-popping new Web site, i-d.co. Having launched with a collaborative M.I.A. x Kenzo music video, the iconic magazine’s new online home will offer full-bleed imagery, quirky videos starring personalities such as Rick Owens, Lily McMenamy, Sky Ferreira, and more, and, soon, an interactive social-media component. The Web venture, which was feted at a veritable runway rave in New York last night, is a decidedly high-tech move for the publication, which, founded by Terry Jones in 1980, earned cult status because of its gritty fanzine approach to documenting London’s creative culture. Of course, it also helped that, early in their careers, photographers such as Nick Knight, Mario Testino, and Juergen Teller shot for the publication, and Kate Moss, Naomi Campbell, and even Madonna winked for its covers in their youth.
The site is thanks in part to Vice—the forward-thinking, in-your-face, Brooklyn-based media company that acquired i-D last December. “Vice’s whole push was to take i-D into the digital realm, which it wasn’t. We had a Web site, but it’s nothing like what we have now,” offered i-D editor Holly Shackleton. “Vice has been incredibly respectful. They haven’t been involved in our editorial choices,” she added. “They’ve just given us the digital know-how and business sense to start something new and launch the site.” More developments are on the horizon. i-D will soon open an office here in New York, and Jones, who’s been with the publication for the past thirty-three years, will take a notable step back. “He’ll always be on the masthead as founder,” offered Shackleton, stressing that while he’ll still be somewhat involved, he’s looking to spend more time with his family.
The Web site’s launch party in West Chelsea was a fitting display of fresh, edgy clothes and pioneering technology. In partnership with Samsung, the magazine flew over three of London’s hottest new talents—Ryan LO, Claire Barrow, and Ashley Williams (all Fashion East alums)—and had them present their collections in a holographic show. It was one-part IRL models (including Hanne Gaby Odiele), one-part virtual projections. Audience members (M.I.A. among them) could hardly tell who was real and who was simulated as the catwalkers danced amid computer-generated acid rain and floating gemstones. The crowd bounced and, at some points, fist-pumped to the EDM runway tunes. And even though partygoers were sipping champagne, the event exuded the underground cool that made i-D a force in the first place. “i-D has always been a global fashion community, and we hope the new site will encourage that,” said Shackleton. “We wanted to introduce these young British talents to a New York audience. They’re all future stars, without a doubt.”
Take a look at i-D‘s new online digs at www.i-d.vice.com.
The baseball cap: It’s the sartorial hallmark of America’s pastime. And while MLB’s current doping scandal may have muddied the sport it represents, the hat itself is going strong, popping up everywhere from the showroom to the stage.
Earlier this summer, Cara Delevingne, long a champion of the casual cap, wore a zigzagged snapback to Glastonbury. Just this past weekend, both Sky Ferreira and Angel Haze donned baseball hats at Lollapalooza, the latter looking particularly on point with her J.W. Anderson Spring ’14 menswear top and brash Versace medallion.
As is often the case with It girls and their wardrobes, parallels appeared on the runway. For Resort 2014, DKNY showed a black-and-white version of the accessory with a gold lamé bomber. Max Mara, too, employed the topper, pairing it with a vivid chevron top and pink cropped pants.
Hedi Slimane sent out dresses that called to mind the “kinderwhore” fashion pioneered by Courtney Love and company during grunge’s nascent years. But the Saint Laurent designer wasn’t the only one who embraced baby dolls for Fall. At Valentino, Maria Grazia Chiuri and Pierpaolo Piccioli updated the youthful silhouette with couture-level craftsmanship, while Emilio Pucci’s Peter Dundas and Undercover’s Jun Takahashi showed wispy lingerie-inspired takes on the trend. For proof that the abbreviated shape has legs off the catwalk, look no further than Alexa Chung, who can rock a mini like no other—those pins! Sky Ferreira, meanwhile, could’ve passed for Love’s sophisticated little sis in the sparkly Saint Laurent number she wore to the Met Gala.
Only for Hedi Slimane is it par for the course to dress a Rolling Stone. The designer—who opened the doors to Saint Laurent’s swanky new Avenue Montaigne flagship today—has created Keith Richards’ onstage duds for the Stones’ 50 Years and Counting tour. Considering the designer’s musical ties (most recently, he created Daft Punk’s helmeted Coachella costumes, his pals include Sky Ferreira and Alison Mosshart, and, of course, his latest ad campaigns feature the likes of Beck, Courtney Love, and Marilyn Manson), and the fact that he dressed the Stones while at Dior Homme, Slimane was, perhaps, the obvious choice for Richards (front man Mick Jagger, however, turned to girlfriend L’Wren Scott for his looks). The rocker’s ensemble will consist of silk scarves, T-shirts, a vest, and a café racer jacket. The latter—aptly named the Keith jacket—will be available for a mere $4,850 as part of the forthcoming Saint Laurent Stage Wear by Hedi Slimane collection, which will hit stores in June. Not surprisingly, Saint Laurent reports that Slimane has more sartorial stage projects in the pipeline.
In recent years, a new designer documentary has sprung each spring. Ultrasuede, a Halston profile, premiered at last year’s Tribeca Film Festival, and Matt Tyrnauer unveiled The Last Emperor, his extended close-up on Valentino, the spring before.
Last night, at the Tribeca Film Festival premiere of L’Amour Fou, Yves Saint Laurent had his turn. Director Pierre Thoretton tenderly revisits the relationship between the late designer and his life and business partner, Pierre Bergé (above), and ends on the Christie’s sale of their blockbuster art collection. Thoretton takes a more somber and meditative approach than his predecessors in the genre, with the unloading of the couple’s prize possessions functioning as a sort of final chapter in their love affair. “I don’t believe in souls,” Bergé says in the film.
After the credits rolled, Olivier Theyskens and Sky Ferreira stood reflectively on the sidewalk outside, Googling the subjects’ birth dates. Alec Baldwin, quasi-disguised in thick-frame glasses, was in an intense conversation with Tyson director James Toback as he exited. Julia Restoin-Roitfeld made a hasty retreat. (You’ve got to love the Tribeca Film Festival mix.)
Also part of the post-screening crowd was Pat Cleveland, who wore her first YSL dress when she was 14 and modeled for Saint Laurent after first meeting him in Paris in 1970. She said that even if it wasn’t necessarily packed with surprises, the film had gotten the relationship right. “It was so out in the open, all of that—I mean the tenderness and the anger. Dealing with Pierre was always such a trip, because he was also so serious and so businesslike. But you understood the relationship.” L’Amour Fou, she added, doesn’t just represent Bergé’s side of the story, but “a chance to show his emotions. He doesn’t like to, basically, show that side of himself. He’s heartbroken. We all are.”
PLUS: For more on L’Amour Fou, read our Q&A with director Pierre Thoretton.