August 29 2014

styledotcom What to wear and where to go this weekend: #LaborDay

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16 posts tagged "Sophie Theallet"

The International Woolmark Prize’s U.S. Finalists Revealed


The International Woolmark Prize is a pretty prestigious honor—the American winner, who will be chosen at an event in New York on July 9, will take home a cool $100,000 and go on to compete for another $100,000 at the international event in Milan next February. This year’s U.S. nominees were announced today, and as far as we can see, they’ve each got some stiff competition. Creatures of the Wind (above, center), Altuzarra (above, left), Giulietta, Wes Gordon, WHIT, Timo Weiland, Bibhu Mohapatra (above, right), Ohne Titel, Daniel Vosovic, and Tucker by Gaby Basora are all up for the prize. Last year, Sophie Theallet earned the U.S. award, but Christian Wijnants took home the international honor.

Photos: GoRunway

Théallet Trumps The Woolmark Prize Competition


“This is a proud day for me,” said Sophie Théallet (pictured) at yesterday’s announcement for the U.S. winner of the International Woolmark Prize, held at the Crosby Street Hotel, which drew nominees including Prabal Gurung, Naeem Khan, and Bibhu Mohapatra. The contest, which was revived this year after lying dormant since 2008, boasts impressive alum including then-unknown 1954 recipients Yves Saint Laurent and Karl Lagerfeld. The winnings? $100,000 and a slot in the global competition held in London next February. (Théallet stands to collect an additional $100,000 towards a runway show plus luxury retail partners, including Harvey Nichols and Bergdorf Goodman.)

“This was an opportunity to give CFDA members a global platform,” said Steven Kolb, who spearheaded the project stateside along with co-judges Narciso Rodriguez, Sally Singer, and Linda Fargo (all came out for the affair). “It’s an important time in American fashion; twenty years ago we wouldn’t have even been invited to participate.” As for Théallet, winning was a full circle of sorts. “My grandfather had a knitwear factory in the South of France so this award is dear to my heart,” the former Alaïa apprentice told For the competition, Théallet crafted a demure ensemble that read one part cropped sweater, one part corseted frock as an homage to her mother, who would pair her grandfather’s knits with sexy underpinnings. “To me, knitwear is about love,” she added. “It’s what you wrap yourself in, cuddle with, or wear like a boyfriend’s sweater. It’s something we all fall in love with.”

Photo: Neil Rasmus /

Wu Season


“Growing up, I always admired Yves Saint Laurent because he never cared about what was in fashion,” Jason Wu said last night, at the Waldorf Astoria, of the masterful designer who served as inspiration to him in the early days of his career. “He was fashion,” Wu added before heading to the stage to accept his YMA Future of Fashion Award.

As he stood in front of a crowd of 850 people, a group that included Yigal Azrouël, Iris Apfel, Sophie Théallet, and Alina Cho (the host for the evening), he had 126 college students (recipients of Geoffrey Beene National Scholarship Awards—”the Super Bowl of fashion scholarships,” as Cho put it) in the room who were looking to him for words of wisdom. Wu confessed, the path to success was not as easy, or glamorous, as he had imagined. “In the early days, I wore many hats: ‘designer,’ ‘shipping manager,’ and ‘sales rep,’ ” he said. Motioning a fake telephone call with his hands, he joked, ” ‘Hello, you have reached the Jason Wu studio, how may I help you? No, sorry, that’s currently not available, sorry.’ ” On a more serious note, he thanked Michelle Obama for being one of his greatest supporters, and Anja Rubik and Karlie Kloss (both in attendance), “for always making my clothes look good.”

Kloss, who was there (wearing Wu, of course) as the designer’s arm candy for the night, gushed over some of her favorite Wu pieces. “I wore this huge gown made from, like, 30 pounds of tulle that I closed the show in one season and it was seriously the definition of a showstopper,” Kloss told “It collected everything in its path—dogs, children, or dirt, they all ended up in the middle of this dress.” Enough about the big dress, how about Kloss’ big year? “2011 was a fun one, but 2012, it’s happening, baby,” she said with an ear-to-ear smile. Though she had her lips sealed on the details of her upcoming projects, she said, “Especially if the world is going to end, you better make it a good one.”

Photo: David X. Prutting /

Dinner On The House


Fashion week presents a particular problem to any scheduler: When? “Fashion week’s so nuts,” designer Waris Ahluwalia admitted. “I didn’t have an open night.” So when he went to host an “intimate” (25—which turned into 45—person) dinner to celebrate his presentation at CIRCA’s Lincoln Center accessories lounge, he decided to bat cleanup, and invite friends to supper after the end of the week. It worked. Last night, CIRCA CEO Chris Del Gatto and Stephanie Winston Wolkoff hosted Johan Lindeberg, Scott Campbell, Veronica Webb, Sophie Théallet, Aaron Young, Terence Koh, Carlos Quirarte, and Ahluwalia’s mother, Darshan (“the guest of honor, always”) piled into Tiny’s in Tribeca for a last-minute dinner toasting House of Waris’ Spring jewelry and scarf collections. “A downtown celebration for an uptown exhibition,” he called it.

The collection being celebrated marks the second time that the House of Waris—known largely for its jewelry—has forayed into scarves. At a follow-up visit at his studio today, the designer explained that the two categories only seem different. They’re both, he reasoned, about keeping craftsmanship alive for a new generation—of craftspeople, as well as of customers. (The Rajastani embroiderers who work on his hand-loomed cashmere scarves now have their hands so full from his business that they’ve stopped working with any other.) This season sees a major uptick in the number of scarf designs offered, with many motifs carrying over from the jewelry collection. They range from the simple—a gorgeous plain taupe cashmere scarf with embroidered border—to the ornate, with chains picked out in contrast thread weaving their way over the whole. They have a richness—and a price tag—consistent with the hours of work they take to complete. But luckily for entry-level fans, batik-dyed cotton-silk scarves start at $300.

Photo: Patrick McMullan

Will You Show Off Your Shoulders With Cutouts?


We’ve glimpsed quite a few exposed shoulders on the streets and at the Resort collections this summer. Casual, collared dresses popped up at Richard Chai Love and Chloë Sevigny x Opening Ceremony, and for after-hours examples, check out Vionnet‘s royal blue, long-sleeved frock, or the framboise silk gown by Sophie Theallet that Karolina Kurkova wore to the Ischia Global Film Festival. (In other news: There is an Ischia Global Film Festival.) Why we like these dresses: Well-placed cutouts highlight a part of the body that doesn’t usually require hours of upkeep at the gym. As Donna Karan famously said, “Shoulders are the one place a woman will never get fat—so show ‘em!”

CLICK FOR A SLIDESHOW, and let us know just how much deltoid you’re willing to expose.