26 posts tagged "Terence Koh"
With a roster including Terence Koh, Dan Colen, Bruce LaBruce, and the late Dash Snow, the Peres Projects gallery is familiar with fame that extends beyond the art world’s stratosphere. But its latest get is an even rarer sort of art star: a household name (and soon to be Academy Awards host). That name, of course, is James Franco, and his first European solo exhibition just went up at the two Peres Projects sister spaces in Berlin. While fame is not the focus of Franco’s The Dangerous Book Four Boys, he sprinkled grace note allusions to his star power throughout the witty multimedia exhibition. But the theme of play that links his clutter-art installations is the fun sort of play, not necessarily the acting sort—it animates his melted toy houses and video installations of Captain Kirk and Dr. Spock, ahem, exploring their sexual tension (just the sort of video that makes is-he-or-isn’t-he speculation such an evergreen media fascination).
Of course, acting and the fame it has afforded Franco has given him the opportunity to play on a big stage. After center stage at a media blitz at the Peres Project Kreutzberg space, Franco headed for the private opening party in the elegant Peres Projects Mitte gallery’s vaulted-ceilinged basement party space. There, while sitting across from German fashion icon Veruschka and mega-model Luca Gadjus, Franco explained that art is the forum that enables him to connect widely disparate and often controversial endeavors in acting, literature, and academia. “All these worlds influence each other and translate into art,” he explained. “Artists are expected to work in different mediums and explore different disciplines. They are permitted to experiment. Outside the art world, even in established creative fields, there are still perceived divisions between high/low culture and different areas of intellectual inquiry. But art is freer and more forgiving.” And you don’t have to gnaw off your arm to make it.
Soon you, too, can own a Richard Phillips—even if you can’t afford his usual six-figure prices. The new Exhibition A (members’ only, technically, but with open registration) offers editions, printed on canvas, of works by artists like Phillips (whose Spectrum painting famously reached a new audience recently after appearing on Gossip Girl), Hanna Liden, and Terence Koh—for between $100 and $500. Gallerist Bill Powers (left, with wife Cynthia Rowley), who co-founded the site, explained that his goal was to help turn young art appreciators into bona fide collectors. “Really the idea sprung up because of my niece who goes to Cal Arts,” he explained. “It’s affordable enough that she can buy something. And it can be a point of entry for new collectors. Sometimes people don’t know how to get started.”
Powers, who currently runs Half Gallery in the city, teamed with Rowley, Laura Martin, and Gabby Munoz on the project. The key to the low prices isn’t the membership (signing up is gratis), but rather the unique open-edition format: Works are available for sale for a limited time rather than by numbered edition, which also keeps the artists’ galleries happy. For the opening, participants like Liden, Phillips, Rene Ricard, and photographer Mark Borthwick (designer Maria Cornejo’s other half) all made the rounds. “Bill chose the canvases, which worked out perfectly for me,” Borthwick said of his pieces, available now on the site. “I’m a typical Libra. I don’t ever wish to choose.” Those willing to wait it out until the new year will have even more options, including pieces by Jim Drain, Olivier Zahm, and Terence Koh. Koh, in typical enfant terrible form, riffed off his notorious Big White Cock (a white neon light in the shape of a rooster) by screening the outline onto black canvas.
If it wasn’t your usual fashion crowd, designer Cynthia Rowley felt right at home with the industry crossover. “Before I was ever in fashion, I was in art schoolᾹI was a painter,” she said. “Now I draw mostly. But doing things like this…it’s like getting to hang out with all my friends.”
Hospital-room art, such as it is, tends to be of the “Hang in There” cute-kitty poster variety. And according to the New York-based nonprofit RxArt, there’s not too much that’s comforting about that. The organization’s stated mission is to place contemporary art in patient, procedure, and examination rooms to inspire patients and promote healing. Over the years, it’s developed a healthy roster of art-world friends, many of whom have donated to its annual benefit party and auction. James Franco, Terry Richardson, and Rob Pruitt are hosting this year’s event, which takes place this Monday, November 15 (tickets are still available here). As for the auction items, from the likes of Alex Katz, Ed Ruscha, Terence Koh, and Dan Colen, they’re on view at RxArt.net.
Well, all except one, that is. Artist Nate Lowman is donating a piece to the auction (as well as taking on DJ duties for part of the evening), but he’s working down to the wire to get it completed in time. He’s offering, he told Style.com last night, one of his drop-cloth paintings, created from pieces of fabric that began life on his studio floor, where they become splattered as he paints standing above them. It’s a surprisingly ingenious process: He works on his projects—like the recent, de Kooning-inspired Marilyn series, details from which appear above—and what doesn’t end up on the canvas takes on a second life on the drop cloths. “[They] develop this whole crazy aesthetic history on their own,” he explained from his studio (pictured). “That body of work becomes recycled from whatever didn’t make it into the painting. They also have the dirt from the bottom of my shoe, and from being on the floor…Some of them have other things on them. Some of them have spilled whole paint cans crusted on them.”
“I work on them for a short period of time or a long period of time—at a certain point I look down at them and go, that’s cool, and put them aside,” he continued. “Then maybe I take part of them and crop them and stretch them as a canvas. It happens really naturally. It’s not like I’m making two paintings at once. I do it really unselfconsciously. The editing process comes in—I wouldn’t say arbitrarily, but serendipitously.”
Serendipity in action—yours on the auction block.
At Visionaire‘s Halloween party on Saturday, an elaborately costumed crowd took to the sweaty dance floor to cut loose. The designers on hand deserved it. They’d been in the museum all day, installing MOVE!, an exhibition curated by Visionaire‘s Cecilia Dean and journalist David Colman that paired artists and designers to create—well, whatever they wanted.
“MOVE! is a unique experience of art and fashion, where one is a reflection of the other,” explained Italo Zucchelli. “Reflection” was literal in the case of the “live sculpture” he and Terence Koh created: two silver-painted and -cloaked men (above), walking continuously toward and away from one another. “Bringing the future into history and presenting it as a perfect present,” Koh described it in a rare moment of verbosity.
Performance artist Ryan McNamara—who recently completed five months of public dance lessons for a project called Make Ryan a Dancer—took the weekend off to act as instructor. McNamara and 11 dancers, in costumes designed by Robert Geller, taught museum-goers everything from strip dance to traditional Korean moves. “We created this McNamara/Geller carnival of dancers, with Ryan as this kind of crazy Andy Warhol carnie directing the whole thing,” Geller said. “Sometimes art and fashion can be too serious. This was meant to be fun, and even a little funny.” Continue Reading “Designers And Artists On The MOVE!” »