17 posts tagged "The Webster"
Postcard From L.A.: A Weekend Of Openings With Laure Heriard Dubreuil And Aaron Young
The Webster’s Laure Heriard Dubreuil and fiancé Aaron Young were in L.A. for the weekend for the opening of two shows featuring Young’s art: No Fucking Way, his solo show at The Company Gallery, and Rebel, the James Franco-curated homage to Rebel Without a Cause at MOCA. (For more on Rebel, check out our coverage of the opening party and our Q&A with Franco.) Laure sent back a few shots from her trip, which included plenty of art, plenty of parties, and (naturally) a little L.A. vintage shopping. Throughout, Dubreuil wears a dress by The Webster for Target. She’s encouraging readers to email photos of themselves wearing the collection to socialmedia@thewebstermiami.com.
Aaron and I arrived in L.A. on Friday morning for Aaron’s openings: a solo one at The Company on Friday night and a group one at MOCA on Saturday. We stayed at the Chateau Marmont, which is a key place this particular weekend, as it is basically the set for Saturday’s Rebel show at MOCA. It didn’t hurt that they had the latest Porsche convertible to rent for the weekend, either.
Aaron’s solo show at The Company Gallery is called No Fucking Way and it’s about what he calls “tragic girls that have all been acting in their lives one way or another” (he jokes that it’s site-specific to L.A.). All the paintings are in the colors of the American flag and the canvases are the shape of folded flags. He painted women like Heidi Montag after all of her plastic surgeries posing in an American flag bikini, and Tonya Harding and Nancy Kerrigan posing wrapped up in the flag before the pipe beating incident. After Aaron’s opening, we all went to the opening of Paul and Damon McCarthy’s Rebel Dabble Babble, a continuation of their pieces from James Franco’s Rebel show at MOCA. After that, it was downtown to UMAMIcatessen for a truffle burger before calling it a night.
Saturday morning we went to the MOCA space for Aaron’s press conference and interviews (he was wearing his The Webster at Target T-shirt for good luck!). We met up with James Franco, who curated the show. He told me he wanted to collaborate with artists he looks up to, who have dealt with film in their careers: Paul McCarthy and Aaron; there was Harmony Korine, Ed Ruscha, Terry Richardson, and Douglas Gordon. Continue Reading “Postcard From L.A.: A Weekend Of Openings With Laure Heriard Dubreuil And Aaron Young” »
One To Watch: Heimstone
Alix Petit perfected her knitwear expertise working for Michel Klein in Paris, but it wasn’t long before she wanted to design her own collection for women who crave beautiful, casual clothes not dictated by the season’s trends. Cue: Heimstone, the line she founded in 2006.
“I design whatever I feel like wearing; it’s very spur-of-the-moment,” Petit tells Style.com.
It’s an approach that seems to work well for the Paris-based designer. With the soft launch in 2006, she debuted bits and pieces: bracelets made from screws and nuts and bathing suits in vintage cottons. Friends instantly started buzzing about them and it was not long before she counted the likes of Uma Thurman as a customer. She has since set up a bricks-and-mortar shop in the heart of Paris’ Saint Germain, on Rue du Cherche-Midi, and sells her line at chic retail outlets like the Webster in Miami and Opening Ceremony.
For her Spring Dia collection, she’s done silhouettes and prints inspired by Sol LeWitt’s cube-obsession and Egon Schiele’s deformed torsos. The result is an eclectic cross section of sportswear and luxe pieces, like raffia knits, gold-coated lace pants and shorts, soft biker jackets, and a feathered skirt, all paired with suede sneakers. “They are for girls like me who prefer casual, comfortable footwear for the city,” she says.
Postcard From Venice: Laure Heriard Dubreuil Reports From The Final Days Of The Biennale
The Webster co-founder Laure Heriard Dubreuil and her boyfriend, artist Aaron Young, hit Venice this week for the legendary Biennale di Venezia. For those farther than a vaporetto away from the action, she’s sending back updates on the sights and the sounds (and a few parties, too).
We started Friday at the Prada Foundation, which I found to be one of the highlights of the entire Biennale. I totally related to Maurizio Cattelan’s sculpture of an ostrich with its head in the ground (left), but I have to say—clothes being such an important element of my life—my favorite piece was Louise Bourgeois’ cell (clothes) from 1996. Walking around it, you snuck peeks through a pair of glass doors to discover a white blouse with the words “The cold of anxiety is very real” embroidered in red.
After the Foundation, I walked around the little streets with Aaron and went for a gelato. It’s a must in Italy, especially with this beautiful weather. We couldn’t resist any longer. Then onto an antique little shoemaker’s shop behind Piazza San Marco to get a pair of Gondoliers’ velvet shoes. I’d love to wear them totally worn-out in red and navy with summer dresses… (Speaking of summer dresses, there were plenty on display over the course of the festival…and none more popular among festivalgoers than Prada’s and Alaïa’s. I haven’t been anywhere for the past five days without seeing at least four or five beautiful women showing off one or the other’s Spring 2011 collections!)
From there, went to see Julian Schnabel’s show, Permanently Becoming and the Architecture of Seeing at the Museo Correr. The show was closed when we arrived but fortunately Julian arrived at the same time with Cyprien Gaillard (another artist who has a few pieces in Venice, too) and they opened the doors for us. The ballroom was completely dark when we entered, as the shutters were already closed, but Julian opened a window himself and the sunlight brought his piece El Spontaneo (for Abelardo Martinez) (1990) back to life! Continue Reading “Postcard From Venice: Laure Heriard Dubreuil Reports From The Final Days Of The Biennale” »

