40 posts tagged "Tilda Swinton"
If Paris has an answer to Williamsburg, it would be the area around the Rue Lucien Sampaix in the 10th arrondissement. The neighborhood’s epicenter is the Tuck Shop, the retro-chic vegetarian eatery and gourmet coffee bar opened last year by a trio of hip Australian girls: Anna Rice, Stella Rice, and Rain Laurent. Last night they added “art gallery” to their roster as they feted an impromptu first show by a fellow Aussie, Leo Greenfield, who’s been hanging around Paris since fashion week and working on what he calls “observational illustration.”
“I’m interested in the language of drawing. I look at [my work] as social portraits combined with journalism,” the artist said, surveying walls lined with breezy drawings of Haider Ackermann, Diane Pernet, and Alber Elbaz. Greenfield sketched these from memory after Olivier Saillard and Tilda Swinton’s recent Eternity Dress performance. Pretty good access for someone who showed up in Paris cold a couple of years back and just happened to benefit from the kindness of strangers, like Damir Doma and Joel Arthur Rosenthal.
Asked what impressed him the most about the Spring shows, Greenfield replied, “Comme des Garçons for its graphic impact. And at Haider Ackermann I saw colors I had never seen before, and it was all so fast I couldn’t draw it!” In any case, all indications point to Greenfield closing in on his dream life as an artist in residence: He has just wrapped a weeklong stint in Martin Grant’s atelier. “It was amazing,” the artist said. “He’s all about minimalism without losing luxury.”
Olivier Saillard—author, poet, star fashion curator—tends to prefer a contemplative moment over a grand event. He is also fond of saying that, had he ever studied fashion design, he would have done “just one dress” and then retired his tape measure.
Last night in Paris, he offered both. Eternity Dress, a fifty-one-minute performance starring Tilda Swinton, sponsored by Chloé, and staged at the École des Beaux-Arts this week as part of the city’s fall festival, has been sold out for months. In it, Saillard and Swinton explore the art of dressmaking, starting with lines and measurements (waist: 28 inches, and so forth) working up through flat patterns and the beginnings of a dress, which Swinton took a moment to sew on herself. As the dress took form, Swinton recited a litany of collar styles in French and released a world of emotion in the turn of a sleeve, finally draping herself in rich-hued chiffon and velvet unfurled from bolts lined up on the floor.
Ultimately, The Dress—a black sheath with long sleeves and an open back—was a stand-in for a century of fashion history, from Paul Poiret to Comme des Garçons. One of the show’s high points, as well as its biggest laugh, showed Swinton striking a series of emblematic poses for houses from Poiret to Yohji Yamamoto, by way of Chanel, Dior, Mugler, YSL, and Jean Paul Gaultier. Among a roomful of designers including Gaultier, Christian Lacroix, Bouchra Jarrar, Martine Sitbon, and Clare Waight Keller, Haider Ackermann was first on his feet for the ovation. “It’s absolutely a piece of my life,” said Waight Keller. “They’ve taken everyday materials like tape and chalk and elevated them to an art form about designing a dress from scratch. It’s about craft, measuring, and a considered approach. It’s poetry.”
“One of the things about Tilda is that she can do anything,” noted Saillard after the performance. “She’s not a ‘fashion girl,’ so she can be a sculpture, an actress, a woman, a man, she can be 18 or 75 years old. It was like we were in a bubble, and the experience gave us lots of new ideas. Fashion has to be surprising.”
At the small cocktail party held afterward at Lapérouse, Swinton added, “Olivier is a playmate. We work and play together and come up with crackers ideas for some other time—it’s wonderful to be able to play off of someone like that.” Asked whether she realizes that she would be any designer’s dream to work with, Swinton let loose a small bombshell: “Maybe it’s because I know nothing about fashion!”
The trailer for Wes Anderson’s latest film, The Grand Budapest Hotel (out this March), has been released, and it seems fashion’s favorite androgynous actress—Tilda Swinton—has aged a few decades to play the role of Madame D. Starring alongside Anderson favorites like Owen Wilson, Bill Murray, Adrien Brody, and Jason Schwartzman as well as Jude Law, Saoirse Ronan, Léa Seydoux, and more, Swinton (who, from the looks of it, has a steamy fling with Ralph Fiennes’ character Gustave H, before—spoiler alert—she’s murdered) is glamorous as ever while dripping in velvets, pearls, and furs. If the trailer (below) is any indication, Anderson’s flick will be one worth watching—both for its cast and, of course, its clothes, courtesy of discerning costume designer Milena Canonero.
Fashion academics and historians came together in the October issue of BBC History Magazine to name David Bowie the best dressed Britton of all time. Bowie’s stiff competition included Queen Elizabeth I, 17th-century diarist Samuel Pepys, and famed dandy, Beau Brummell. Surprisingly, Ziggy Stardust’s dapper doppelganger (and “The Stars (Are Out Tonight)” video co-star) Tilda Swinton was not in the running.