47 posts tagged "Tilda Swinton"
The fashion biz has had quite a year. 2013 was jam-packed with major designer shake-ups, groundbreaking ad campaigns, celebrity collaborations, and pop-star performance wardrobes filled with custom-made designer duds. In the final days leading up to 2014, we’re counting down Style File’s most popular twenty stories of the past year. So sit back, relax, and relive 2013′s unforgettable moments. Read numbers ten through six, below.
10. Raf Simons Opens His Atelier—and Shares His Label—to Artist Sterling Ruby for the Most Complete Designer/Artist Collaboration Yet
When Raf Simons does something, he does it all the way. Case in point, his Fall ’14 menswear collaboration. For his upcoming collection, which will hit the Paris catwalk on January 15, Simons has handed his atelier over to artist Sterling Ruby. The result will no doubt be the most extreme art-meets-fashion experiment to date. Style.com’s Tim Blanks spoke to Simons about his latest artistic endeavor.
9. At Givenchy, Flower Power, Military Might, and Even a Cameo From Bambi
In May, Style.com got an exclusive first look at Riccardo Tisci’s floral and camo Pre-Spring ’14 menswear collection for Givenchy. Showcased on fuchsia-haired models, the collection marked the debut of Tisci’s controversial Favelas 74 shirt, which was later worn by Marina Abramovic to the CFDA Awards in June. Matthew Schneier gave us a rundown of the dynamic lineup.
8. Inside David Bowie’s “The Stars (Are Out Tonight)”
David Bowie had no shortage of headlines in 2013. In May, the rock star dropped The Next Day, his first album in ten years. His costumes were featured in an exhibition at the V&A, he starred alongside Arizona Muse in a Louis Vuitton campaign, and he was even named the best-dressed Briton in all of history. But his buzziest accomplishment was no doubt the music video for “The Stars (Are Out Tonight).” With a cast that included Tilda Swinton (a.k.a. David’s doppelgänger), Saskia de Brauw, and Andrej Pejic, the Jerry Stafford-styled film featured clothes from Alexander McQueen, Lanvin, Rick Owens, Raf Simons (both for Dior and Jil Sander), and Saint Laurent. Style.com’s Tim Blanks took us inside the making of the music vid and walked us through its lust-worthy wardrobe.
7. “Applause,” Please: Brandon Maxwell Talks Styling Lady Gaga’s Latest Video
Remember that time in 2013 when Lady Gaga announced her new record, Artpop, and from the moment she revealed its Inez & Vinoodh-lensed album cover in July, until she hosted her raucous Art Rave release party in November, she was all anyone could talk about? Well, during the height of the Mother Monster frenzy, right after she debuted her flick for “Applause,” Style.com’s Katharine K. Zarrella spoke with her stylist, Brandon Maxwell, about the characteristically outré vintage and custom looks she donned in the music video.
6. Jeremy Scott: The New Man at Moschino
After celebrating its thirtieth anniversary in Milan, in September, Moschino appointed Jeremy Scott as its creative director. Scott, who succeeds Rossella Jardini, spoke to Style.com’s Nicole Phelps about the new gig, poking fun at fashion and sharing how he plans to bring the irreverent house into the future.
If Paris has an answer to Williamsburg, it would be the area around the Rue Lucien Sampaix in the 10th arrondissement. The neighborhood’s epicenter is the Tuck Shop, the retro-chic vegetarian eatery and gourmet coffee bar opened last year by a trio of hip Australian girls: Anna Rice, Stella Rice, and Rain Laurent. Last night they added “art gallery” to their roster as they feted an impromptu first show by a fellow Aussie, Leo Greenfield, who’s been hanging around Paris since fashion week and working on what he calls “observational illustration.”
“I’m interested in the language of drawing. I look at [my work] as social portraits combined with journalism,” the artist said, surveying walls lined with breezy drawings of Haider Ackermann, Diane Pernet, and Alber Elbaz. Greenfield sketched these from memory after Olivier Saillard and Tilda Swinton’s recent Eternity Dress performance. Pretty good access for someone who showed up in Paris cold a couple of years back and just happened to benefit from the kindness of strangers, like Damir Doma and Joel Arthur Rosenthal.
Asked what impressed him the most about the Spring shows, Greenfield replied, “Comme des Garçons for its graphic impact. And at Haider Ackermann I saw colors I had never seen before, and it was all so fast I couldn’t draw it!” In any case, all indications point to Greenfield closing in on his dream life as an artist in residence: He has just wrapped a weeklong stint in Martin Grant’s atelier. “It was amazing,” the artist said. “He’s all about minimalism without losing luxury.”
Olivier Saillard—author, poet, star fashion curator—tends to prefer a contemplative moment over a grand event. He is also fond of saying that, had he ever studied fashion design, he would have done “just one dress” and then retired his tape measure.
Last night in Paris, he offered both. Eternity Dress, a fifty-one-minute performance starring Tilda Swinton, sponsored by Chloé, and staged at the École des Beaux-Arts this week as part of the city’s fall festival, has been sold out for months. In it, Saillard and Swinton explore the art of dressmaking, starting with lines and measurements (waist: 28 inches, and so forth) working up through flat patterns and the beginnings of a dress, which Swinton took a moment to sew on herself. As the dress took form, Swinton recited a litany of collar styles in French and released a world of emotion in the turn of a sleeve, finally draping herself in rich-hued chiffon and velvet unfurled from bolts lined up on the floor.
Ultimately, The Dress—a black sheath with long sleeves and an open back—was a stand-in for a century of fashion history, from Paul Poiret to Comme des Garçons. One of the show’s high points, as well as its biggest laugh, showed Swinton striking a series of emblematic poses for houses from Poiret to Yohji Yamamoto, by way of Chanel, Dior, Mugler, YSL, and Jean Paul Gaultier. Among a roomful of designers including Gaultier, Christian Lacroix, Bouchra Jarrar, Martine Sitbon, and Clare Waight Keller, Haider Ackermann was first on his feet for the ovation. “It’s absolutely a piece of my life,” said Waight Keller. “They’ve taken everyday materials like tape and chalk and elevated them to an art form about designing a dress from scratch. It’s about craft, measuring, and a considered approach. It’s poetry.”
“One of the things about Tilda is that she can do anything,” noted Saillard after the performance. “She’s not a ‘fashion girl,’ so she can be a sculpture, an actress, a woman, a man, she can be 18 or 75 years old. It was like we were in a bubble, and the experience gave us lots of new ideas. Fashion has to be surprising.”
At the small cocktail party held afterward at Lapérouse, Swinton added, “Olivier is a playmate. We work and play together and come up with crackers ideas for some other time—it’s wonderful to be able to play off of someone like that.” Asked whether she realizes that she would be any designer’s dream to work with, Swinton let loose a small bombshell: “Maybe it’s because I know nothing about fashion!”