76 posts tagged "Tim Blanks"
No one has ever looked as good in their Calvins as Christy Turlington. In this week’s Throwback Thursdays video, Tim Blanks looks back on the supermodel’s trailblazing career and indefinable beauty—and, of course, those sexy Calvin Klein commercials. As one-third of the nineties “trinity” of supermodels (along with Naomi Campbell and Linda Evangelista), Turlington was, according to Blanks, the “purest beauty” of them all. Was it her slight Latino flavor? Or her versatility, shifting from a Calvin girl one day to a Versace girl the next? More than a decade later, it’s still difficult to put our finger on it. One thing is for sure: Her impact is as strong as ever. You can see the full video here.
Maybe you’ve heard enough about the Red Wedding in Game of Thrones, but have you ever compared it with John Galliano’s Christian Dior Fall ’00 Couture show? Probably not. In this week’s Throwback Thursdays video, Tim Blanks revisits Galliano’s “wedding in hell,” which was simultaneously beautiful and savage. Rather than dressing models in the same hair and makeup, there was a twisted cast of characters: a “sadistic priest,” a gladiator, a wicked mother of the bride, a devil on a leash, and countless more “psycho dream creatures” Galliano dreamed up for the lavish nuptials. The entire show was more like performance art than a runway show. “It was kind of a glorious lunacy,” Blanks noted. We couldn’t have said it better. Click here to watch the full Throwback Thursday video.
“When somebody says the word Versace to you, a very clear image probably forms in your mind,” Tim Blanks says in today’s Throwback Thursday video. He’s right, of course—there’s the gold Medusa logo, the bondage dresses, and the famed seductive vibe. Gianni Versace’s Fall 1992 show was the peak of this “aggressively sexual” aesthetic—he did call it “Miss S&M,” after all—but there was a deeper, less obvious meaning behind the collection. Blanks attests that the clothes are both physically and intellectually provocative; at the time, the AIDS epidemic was in full force, and Versace’s collection called on the audience to consider sexuality in a different way. No one thought the clothes would sell, but to this day they remain some of Versace’s most-coveted pieces. Miley Cyrus wore a vintage Versace ’92 bondage dress last year. How’s that for staying power? Watch the full video here.
It goes without saying that everyone loves Chanel. The numbers alone prove it: Season after season, Chanel is the number one most-viewed show on Style.com. But few really know Chanel’s history beyond Coco’s “little black dress” and white camellias. We can thank Karl Lagerfeld for the brand’s incredible staying power, and in this week’s Throwback Thursdays video, Tim Blanks revisits the Kaiser’s first collections for the storied house. To this day, Lagerfeld tirelessly brings Chanel’s codes into the future; he is always thinking about the new and now. Blanks refers to Lagerfeld as “fashion’s superhero,” and we can’t say we’ve heard a better comparison. Watch the full video here.
Neil Tennant is sitting in the Wolseley a day before he and Chris Lowe go west, flying from London to San Francisco to prepare for Pet Shop Boys’ headlining performance on Saturday night at the Coachella Valley Music and Arts Annual Festival. “Is it Coach-ella or Co-a-chella?” Tennant wonders. He’ll find out soon enough. Beforehand, PSB are shaking off six months of rust—they finished the most recent leg of their Electric world tour in Mexico last October—with warm-ups this week in Oakland and Ventura, California. And there’s been a bit of fine-tuning. “We could feel the audience getting a bit shifty in their seats mid-show with the new songs,” says Tennant. So he’s promising “a traffic jam of hits” on Saturday night.
It’s been a staggering thirty years since the very first, “West End Girls.” Over time, that song has become the kind of classic to which all forms of human life have met and mated (Tennant and Lowe are always being reminded of that fact by the ardent fans who pay extra for a pre-show meet and greet). Chart-meister Pharrell Williams confessed to Tennant in Toronto recently that he wished it was his song. On Saturday night, Pharrell finishes his set at the Outdoor Theatre just as PSB walk out onto the Mojave Stage, so he’ll make their gig in time to hear the song he wished he’d written irresistibly elided with a new number, the EDM-ish raver “Fluorescent.” That’s a killer one-two that should shake the starry, starry night over the California desert. It’ll also be a measure of the way Lowe and Tennant constantly revise and refresh their material. “Traffic jam of hits” or not, I’ve never seen a show of theirs which left me feeling like I was listening to a mere run-through of old faves (even though there are dozens of them). The sound is always evolving and so is the masterful showmanship. Pet Shop Boys’ only real peer is Kraftwerk, with whom they are coincidentally co-headlining Moogfest in Asheville, North Carolina, in a few weeks.
Tennant agrees it’s a challenge translating their intelligent spectacle to a festival setting: “It’s a bit more nerve-racking because it’s not your audience. You’ve really got to fight.” He remembers one rock festival in northern Spain where the audience was particularly ill-disposed to PSB’s brand of pop music. “But we followed Beck, and we were saved, in my opinion, from being canned off stage because Beck stood at the side of the stage throughout our performance dancing and singing along with his bass player, and the audience thought, Who are we to disagree? As Monica Lewinsky once said to me, ‘Oh, I know who you are. I grew up in Los Angeles in the eighties.’ So did Beck.
“That’s the funny thing about festivals,” Tennant continues. “You’re always following someone like the Red Hot Chili Peppers.” Or being followed by them—you have to feel for Bryan Ferry on Friday night, who is lead-in to the hoary goth metal of The Cult. And on Saturday night? “I’m sure it will be someone much more appropriate,” Tennant says confidently. Actually, Neil, you’re following Mogwai. If PSB are purest art pop, Mogwai has always been regarded by its devotees as the apogee of art rock. Maybe that means they’ll appreciate the jackets Jeffrey Bryant has sculpted for Tennant and Lowe from 3,000 drinking straws. At the very least, I’ll be looking for selfies of the Mogsters discoing wildly in the wings while the Pets woo the dancing hordes with their sparkliest manifesto, “Love Is a Bourgeois Construct.”
Tennant’s wracked nerves aside, PSB actually have brilliant form at the most famous festival in the world. I’m talking about Glastonbury, where, on another Saturday night in 2010, PSB were playing on something called the Other Stage while Muse headlined the Pyramid Stage. “The night before, when the Flaming Lips were playing the Other Stage, Chris went to see them and there were just a few thousand people, so we were reconciled to the fact that no one would come to see us. When we got there the next day, our production manager said the actual physical space for the audience in front of the stage was already full. In the end, 50,000 people watched us, the same number that watched Muse. It was absolutely one of the best experiences,” remembers Tennant. So perhaps it’s a promising coincidence that Saturday brings a rematch: Muse is playing on the Coachella Stage at the exact same time Pet Shop Boys take to the Mojave.
Now Tennant must leave to pack his giant-size Tumi for tomorrow’s trip, but there’s one pressing item before he goes. Monica…ahem…Lewinsky? “We met at Ian McKellen’s 50th birthday party. She looked iconic, like a walking Andy Warhol screen print. Liz Taylor, perhaps.” The history of the Pet Shop Boys is crammed with hundreds of similar stories. Can’t wait to see what Coachella adds to the almanac.