20 posts tagged "Timo Weiland"
“So, who do you think’s in the lead?” said CFDA CEO Steven Kolb to Joseph Altuzarra—patting him on the back—before taking the stage to announce the International Woolmark Prize’s stateside winner at New York’s Industria Superstudio last night. Kolb’s pre-reveal grin was a tell, as he later disclosed that the panel of judges, which included Kolb, Alexander Wang, Stefano Tonchi, Saks Fifth Avenue’s Colleen Sherin, and others, had selected Altuzarra as the 2013 victor. “I’m really stunned and very, very, very happy,” Altuzarra told Style.com while clasping his trophy. And why wouldn’t he be? In addition to winning $100,000 (the designer plans to put it toward his Pre-Fall collection), Altuzarra will continue on to represent the U.S. in the international competition, which, set to culminate during Milan Fashion Week in February, affords him the chance to double his money and earn new stockists. “Now I’m really going to fight for the U.S.!” he said before turning to chat with a line of journalists. Continue Reading “Altuzarra Wins The U.S. Woolmark Prize” »
Props to Sibling‘s Joe Bates, Sid Bryan, and Cozette McCreery, who, WWD reports, have won the European leg of the International Woolmark Prize. Selected by a panel of judges that included Angela Missoni, Godfrey Deeny, Susanne Botschen, Franca Sozzani, and Style.com’s Tim Blanks, Sibling will take home $46,108 and will now compete for the overall prize. For the next six months, the London-based trio, who launched their quirky, colorful range back in 2008, will work on a merino-wool-centric capsule, which will be judged alongside those of other international finalists.
And don’t think Woolmark has forgotten about the good ol’ U.S. of A. The U.S.-based competitor will be announced on July 9 (finalists include Altuzarra, Creatures of the Wind, Wes Gordon, Whit, Bibhu Mohapatra, Daniel Vosovic, Ohne Titel, Timo Weiland, Tucker, and Giulietta), and the international honoree—set to be revealed early next year—will receive $92,210 and the chance to be sold in retailers like Harvey Nichols, Saks Fifth Avenue, Joyce, and 10 Corso Como.
The International Woolmark Prize is a pretty prestigious honor—the American winner, who will be chosen at an event in New York on July 9, will take home a cool $100,000 and go on to compete for another $100,000 at the international event in Milan next February. This year’s U.S. nominees were announced today, and as far as we can see, they’ve each got some stiff competition. Creatures of the Wind (above, center), Altuzarra (above, left), Giulietta, Wes Gordon, WHIT, Timo Weiland, Bibhu Mohapatra (above, right), Ohne Titel, Daniel Vosovic, and Tucker by Gaby Basora are all up for the prize. Last year, Sophie Theallet earned the U.S. award, but Christian Wijnants took home the international honor.
“Embellishment was extraordinarily intimidating,” says New York-based designer Rachel Antonoff, whose namesake label, sold at retailers like Barneys and Steven Alan, has for several seasons skewed more cute than glam. (“I design for myself in my daydreams,” she jokes, “so it’s me—but a little bit taller.”) But she took a new step in a more elevated direction for Fall when, on the recommendation of friend and fellow designer Timo Weiland, she enlisted the help of Milaaya Embroideries, a Mumbai-based fair trade sewing co-op whose client list includes big name designers such as Balmain, Lanvin, Marni, and Givenchy. “I loved all the fabric people in New York, but this was just a really special environment,” says Antonoff, who equates Milaaya’s New York headquarters (they also have offices in Milan and Paris) with “a candy land of embellishment swatches.”
The result is a brightly colored, checkered embroidery that adorns select pieces of Antonoff’s Fall ’12 collection. Dubbed by the young designer as “the chiclet,” after the gum, the playful pattern of glass beads and cotton threads can be found on chic, collared dresses (the Jack combo dress, pictured) and simple T-shirts with festive sleeves. This foray into embellishment has already garnered “best-selling” potential from a slew of interested buyers, and the designer plans to continue the experiment in seasons to come. That is, if she can overcome her new problem. “Now I have to figure out how to avoid going embellishment crazy,” she says. “It’s like chocolate, once you have a little taste you have to learn how to scale back.”