24 posts tagged "Tomas Maier"
Achtung-Mode—Germany’s pioneering indie fashion and culture magazine—is debuting its Bauhaus-themed tenth anniversary issue tomorrow. And to celebrate the decade milestone, founder Markus Ebner decided he wanted to offer up a little something special. “When magazines turn ten, or twenty, or whatever, there’s not that much you can do,” he told Style.com. “I mean, you can do ten covers, you can ask designers to write letters saying, ‘Dear Whoever, Happy Tenth Anniversary!’, but I wanted to do something not like that.” His answer? A capsule collection of ten special-edition items crafted—and photographed—by some of the most exciting German, Austrian, and Swedish brands and talents. For instance, there’s a luxe leather bag by Akris (snapped by Sandra Semburg), a suit by Regent that was handmade in Germany (shot by Michael Mann, below, left), a crisp white shirt by the legendary Jil Sander (lensed by Mary Scherpe, below, right), an amulet by Tomas Maier (shot by Oliver Helbig), a parka by Kostas Murkudis (captured by Jork Weismann) and some cashmere Agnona socks by honorary German, Stefano Pilati (photographed in a field by Debora Mittelstaedt). “He’s been living in Berlin for the last year and a half, and he’s such an important designer, and he’s opening a studio there and hiring people, so that’s exciting for us,” offered Ebner.
The items will be available at Andreas Murkudis’ Berlin concept store, which Ebner describes as the “Colette of Germany.” As for the editorial photographs of the anniversary merch, they’ll not only be included in the new issue, but displayed alongside their corresponding products Murkudis’ store. If you’re lusting over these creations, you’d better scoot to Berlin quickly as quantities are limited. Fittingly, only ten editions of each product were produced.
It’s a good day to be Tomas Maier. This morning, Kering announced that it was entering into a joint venture with the designer in order to further develop his namesake label, which he founded in 1997. “I could not imagine a better partner than Kering for the Tomas Maier brand,” said Maier, who is perhaps best known for his role as the creative director of the Kering-owned Bottega Veneta, a post he’s held since 2001. “We speak the same language and have a mutual understanding of how to take this business we started fifteen years ago to new heights.”
Forget your average everyday ruffles. The flounces that count for Spring are exaggerated and bold. Bottega Veneta’s Tomas Maier sculpted mille-feuille shapes on day dresses from a cotton woven with copper so that the fabric held its exuberant form. Dries Van Noten covered several of his finale numbers with clusters of voluminous, unfurling rosettes. Isabel Marant showed a one-shoulder frock featuring endless tiers of rippling tulle, and Mary Katrantzou whipped up printed baby-dolls decorated with both real and (for good measure) trompe l’oeil frills.
Having previously collaborated with Ralph Gibson, Collier Schorr, and Tina Barney, it’s no surprise that Bottega Veneta designer Tomas Maier has tapped another famed portrait photographer, David Armstrong, to shoot both the men’s and women’s Resort ’14 ad campaigns. Featuring Laura Love and Lucas Mascarini, Armstrong’s naturally lit photos highlight the collections’ ease, craftsmanship, and relaxed elegance. Take a first look at the snaps here, exclusively on Style.com.
Pleating, in various iterations, unfurled as a keynote trend this season. Alexander Wang, for example, offered boxy swatches on miniskirts in New York. Also crimped in Manhattan: Victoria Beckham‘s peekaboo accordion creases. And, in Paris, Phoebe Philo caused a stir with loads of narrow corrugations at Céline. Yet where these designers skewed toward traditional folding, a trio of labels proposed a fancier twist on the technique for Spring ’14 via intricate pleats that mimicked ruffles.
At Delpozo, creative director Josep Font’s barley-yellow trousers, which boasted an arc of frilled pin-tucks, were a standout in his soft, painterly collection. In Paris, Dries Van Noten opened his show with a quiet white frock, the seams of which were embellished with whorls of gilded fabric. Bottega Veneta’s Tomas Maier, too, employed creased ruffles in his Spring ’14 lineup. One dress in particular—a gray-green number vertically veined in bow-like folds—was particularly striking. “I wanted to add texture and dimension in an unusual way,” Maier told Style.com. “The monochrome color, combined with the movement of the pleats, creates this effect.” To construct the garment, Maier and his team blended cotton with a vegetable fiber called ramie, which possesses malleable characteristics akin to copper. The result was a tactile sartorial sculpture.