August 1 2014

styledotcom Is topless tanning a thing of the past?

Subscribe to Style Magazine
2 posts tagged "Trish Summerville"

Hunger Games Strike Net-a-Porter


Hunger Games x Net-A-PorterThe Hunger Games: Catching Fire opens on Friday night, and with it, more tie-ins than arrows in Katniss Everdeen’s quiver. There’s makeup from Cover Girl, nail polish from China Glaze, even subs from Subway—may the sandwiches be ever in your flavor! But the alliance that’s captured our attention around here is the one between the film’s costume designer, Trish Summerville, and Net-a-Porter. On Thursday, the Web site will begin selling Capitol Couture, a nineteen-piece ready-to-wear collection, plus accessories and jewelry, designed by Summerville. In the mix are a leather jacket and pants inspired by Cinna (a.k.a. Lenny Kravitz); an emerald green dress modeled after one worn by Johanna, the tribute from the Lumber District (played by Jena Malone); logo tees; and, of course, versions of Katniss’ chariot and mockingjay dresses. This isn’t Summerville’s first retail partnership; as the costume designer on The Girl With the Dragon Tattoo she created a tie-in collection for the fast-fashion chain H&M. But, as she puts it, the Net-a-Porter partnership “breaks new ground” in terms of quality and price point. The jacquard-trimmed twill jumpsuit here ($415) is a subtle riff on the uniforms worn in the Quarter Quell. For those of you who haven’t read the books, that’s the 75th annual Hunger Games competition around which most of the action in the second part of the trilogy takes place. Summerville is currently at work on Gone Girl with Dragon Tattoo director David Fincher. The bad news for fans of Gillian Flynn’s page-turner? “It’s a completely contemporary film,” says the costume designer. “I don’t see a ready-to-wear collection coming out of it.”

Photo: Courtesy of Net-a-porter

Summerville Brings Salander To H&M


Conditions on location filming The Girl With the Dragon Tattoo weren’t pretty. According to costume designer Trish Summerville, David Fincher shot scenes at night in below-freezing temperatures to get the look he wanted—which left Summerville with the task of keeping Rooney Mara’s Lisbeth Salander not only looking sharp but remaining frostbite-free, too. “To keep Rooney warm, we dressed her in two to three pairs of thermal socks, put foot warmers in her shoes and hand warmers in her pockets,” she recalled. “At one point we just lined her whole ankle to calf with hand warmers in her boots, but it was tough because no one wants to look 40 pounds heavier on screen just because you are trying to stay warm.”

She pulled it off—and while proof is coming December 21 to a multiplex screen near you, it’s arriving this week at H&M as well, where Summerville designed a 30-piece capsule collection modeled on Salander’s on-screen wardrobe. Summerville will be on hand at the H&M Girl With the Dragon Tattoo pop-up shop opening Wednesday in New York’s Meatpacking District, but caught up with the costume designer beforehand to get the inside scoop on her first clothing collection and working with Mara. We also got an exclusive first look inside the pop-up shop (pictured).

H&M’s Girl With The Dragon Tattoo Pop-Up Shop will be open December 14-16 from 12 p.m. To 10 p.m. daily, at 72 Gansevoort Street, NYC.

How did you translate Rooney’s character’s wardrobe into a fast fashion collection?
We wanted to use the Salander signature pieces. She has several staples, and in doing the film she had between 45 and 50 wardrobe changes—that’s quite a lot. (We filmed from Christmas to Christmas.) Her wardrobe is more function than fashion, so of course we tried to take them up a notch and make them more fashion. With everything, like the long wool overcoat, the combat boots, and the leather boots, it was about cleaning them up, changing the fabrications, and making the aging and dyeing techniques a little cleaner.

What was the most difficult piece to pull off in terms of getting the wash and aging you wanted to achieve for the H&M collection?
Her clothes in the film are pretty dirty. With the combat boots, it took a bit of a process with the distressing. I don’t think they had ever done something like that, and I got to sit on the floor with the shoe guy showing him how everything needed to be. When you take away color, it can come up a different color, so we had to try it several times. We were really excited because they came out perfectly. More importantly, the shoes are really comfortable. I am on my feet from 12 to 20 hours a day and need something really comfortable.

What was your first meeting with Rooney like?
The first time we met was when she came in for one of the readings [before she was cast]. We had six different girls come in and I pulled similar items for each girl and let them dress however they wanted with the clothes so we could see how they put their outfits together. I wanted to see what kind of Salander they would be and then we had several more tests. She is such a trooper and people will be shocked to see how she became Salander and truly transformed. Continue Reading “Summerville Brings Salander To H&M” »