98 posts tagged "Valentino"
Few people captured the zeitgeist of the 1980s fashion and club scene as expressively as fashion illustrator Tony Viramontes. His work explodes off the pages of an extensive new monograph, Bold, Beautiful and Damned – the World of 1980s Fashion Illustrator Tony Viramontes, which, authored by Dean Rhys Morgan, will be released by Laurence King Publishing on October 7. Viramontes—who was educated in fashion illustration under Steven Meisel at Parsons, was mentored by Antonio Lopez, and made his debut in The New York Times in 1979—had a firm grasp on the eighties fascination with the androgynous, transgressive, and performative. He drew male and female models with wide shoulders, large mouths, marked eyebrows, and empowered stances in a constant state of vivid expression. The artist worked for and with everyone from The Face, Vogue, Yves Saint Laurent (above, top right), Valentino (above, top left), Chanel, Claude Montana, and Jean Paul Gaultier, who wrote the forward to Rhys Morgan’s tome. Viramontes’ models included the likes of Naomi Campbell (above, bottom left), Isabella Rossellini, Rene Russo, and Janice Dickinson (below), and he even did the album covers for Arcadia’s So Red the Rose and Janet Jackson’s breakout Control (above, bottom right). Sadly, though, Viramontes’ work was largely forgotten after his passing in 1988. Continue Reading “Vibrant Viramontes” »
Writer and Style Map contributor Sven Schumann founded online magazine The Talks in 2011, launching the site with nine interviews, which included subjects such as Valentino, Mick Jagger, and Patti Smith. In the two years since, Schumann hasn’t stopped talking, racking up Q&As with cultural titans such as Yohji Yamamoto, Woody Allen, Helen Mirren, and Salman Rushdie.
This morning, the site fetes its one hundredth chat, with inimitable Brit Sir Paul Smith. Since opening his first menswear shop, in 1970, Smith has built an empire of more than two hundred shops on his cheeky interpretations of Savile Row cuts—all while maintaining an almost infamous reputation as one of fashion’s “nice guys.”
So why choose Smith for this milestone moment? On top of his fabled status as a designer, “Paul’s story is ultimately that nice guys do sometimes finish first,” Schumann tells Style.com. “And I always love talking to older people, who have lived life and can reflect and share their wisdom.”
In his Talks interview, Smith chats about the livestock that’s passed through the Paul Smith reception, unusual fan mail, and the soundtrack to his hangovers. Catch the full interview on The Talks’ Web site.
Having made their debuts in Harrods’ holiday windows last year, Versace’s Cinderella dress, Valentino’s butter-yellow Belle gown, Oscar de la Renta’s Snow White frock, and Escada’s Princess Jasmine look will go under the hammer—for charity—alongside other designer Disney-princess duds at Christie’s, on November 13. Prince Charming is not included in the auction price.
At the Fall ’13 Couture shows, a trio of houses uprooted the bright and breezy blossoms we’ve seen of late (just take a look through the recent Resort ’14 and menswear shows, and you’ll see what we’re talking about) for a more subdued, somewhat edgier take on flora: branch and stem motifs.
Zuhair Murad printed leafless twigs across a number of dramatic gowns (above, right), evoking a pop-noir winter wonderland of sorts. In its chimerically zany collection of repurposed vintage, Swarovski spikes, and yet more Kanye-favored face masks, Maison Martin Margiela showed a fuchsia column overlaid with embroidered wildflower stems (above, center). And, lastly, Maria Grazia Chiuri and Pierpaolo Piccioli produced a dazzling cosmos of natural-world-inspired wares at Valentino. Here, it was coral that reached around heavy brocade (above, left) and crawled up silk insets. Sure, coral is technically fauna, but its sinewy offshoots are branches nonetheless.
At this time last year, designers were busy making knee-length Bermudas and basketball shorts. This Resort season, they took things one step further, lowering hemlines on baggy, culotte-inspired trousers so they hit somewhere between mid-calf and just above the ankle. We noticed crisp white styles in the new lineups from Thakoon Addition, Ports 1961, Adam Lippes, and Sonia Rykiel (the latter two whipped them up in pliant leather and pleather, respectively). And while labels like Valentino and Roksanda Ilincic, among others, showed the fresh silhouette in a casual context, Givenchy’s Riccardo Tisci made them evening-appropriate in black satin paired with a pair of killer ankle-strap sandals. Unless you’ve got stems like Joan Smalls’, we’d recommend rocking heels while test-driving this trend.