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July 31 2014

styledotcom She wore an itsy bitsy, teeny weeny, black, string @CHANEL bikini: stylem.ag/1koqn03 pic.twitter.com/96igoB24g5

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3 posts tagged "Vanessa Reid"

Missoni: Zigging and Zagging for Sixty Years And Counting

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Spring 2013 marks Missoni’s sixtieth anniversary, and to celebrate the milestone, the Italian house looks to the future while remembering its history. For starters, Missoni enlisted photographer Alasdair McLellan and stylist Vanessa Reid to create an array of artful Spring ads. Based on “paintings of the past,” the campaign consists of both still images and a serene film, which, aptly titled “A Zig-Zag in Time,” mixes looks from Missoni’s hologram-inspired Spring ’13 and pieces from the house’s archive of colorful graphic knits. Why tease us with discontinued vintage treasures, you ask? Because, come May 2013, Missoni will reissue the featured styles, all of which will be available at flagship stores worldwide. Take a walk down memory lane (and a peek at the Spring’s youthful wares) with Missoni’s film, which debuts on Style.com (above).

No Use Crying Over Spilt Vodka

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Bottle service, deafening dance music, and an eager chorus of people clamoring to get in—just another Friday night at Avenue, except for the shared genes. Charlotte Ronson was throwing the after-party for her Bryant Park show, and, as usual, the family—less brother Mark, who’d flown back to London earlier that day for an album release—was there to celebrate. That’s not to say it was a Ronson-only crowd. The bash (sister Sam on the turntables) drew Zoe Kravitz, Cory Kennedy, and the ubiquitous Jared Leto (pictured, with Ronson), as well as a glut of Ronson’s fans, friends, and staff. Why not a calmer affair? “There’s too many people that work too hard—you can’t contain them,” Ronson said from her banquette, adding that after a runway event where “all those little things have to fall into place,” it’s nice to be able to get a little sloppy. “You can spill a lot of vodka and be like, oh, I meant to do that.”

And a few blocks downtown at Provocateur, Rag & Bone was celebrating its after-party, though the spills David Neville was thinking of were tears, not vodka. “We were crying backstage,” he said of the reaction among his staff when the last womenswear look went out at their show earlier that day. “It’s been such an intense season for us—we really put ourselves on the line, creatively, and coming to the end of that process, it was a little overwhelming.” And, his co-designer, Marcus Wainwright, hastened to add, the duo’s new stylist, Vanessa Reid, “kicked our ass”—in the best possible way. The bash was a celebration of many months of work, no less on the collection than on the soundtrack. “Five months,” Wainwright said, explaining that it takes that long for him and Radiohead frontman Thom Yorke to settle on the tracks for the shows, which Yorke then mixes and sends off. “A lot of bass this season. At the men’s show, we blew out a speaker.” One way, among many, that Rag & Bone has been blowing everyone away.

Photo: Sherly Rabbani and Josephine Solimene

Rag & Bone, Plus A Little Help From Their Friends

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Rag & Bone’s David Neville and Marcus Wainwright have been on a roll with their menswear, mixing up American influences and their British roots to create a distinctive signature. They’ve done it again for Fall with a collection that layered sturdy tweeds, lodens, and Fair Isles, perfect for a hike in the Lake District, with a plaid and camo vintage flavor that hinted at Seattle grunge. Though everything was shown with scarves, beanies, hiking boots, and hitched up, gartered socks, there was always a sense of streamline, rather than winter bulk, testament to the real Factor X in this presentation—Vanessa Reid’s styling. True, Neville and Wainwright gave her the ingredients, but she whisked up the recipe, from the first look’s layering of Fair Isle sweater and camo vest with a cardigan (also in Fair Isle) knotted around the waist and plaid shirttails flying (the trousers in charcoal Harris Tweed) to the closing symphony of shadows: black blazer and shirt-jacket topped with a cutaway coat in charcoal cashmere. Another reason for Neville and Wainwright’s steady march forward is that they’ve got the smarts to pick such collaborators. Speaking of which, Thom Yorke was back doing the music. He does love his Battles, doesn’t he?
For complete coverage of Fall 2010 menswear, visit www.gq.com/fashion.

Photo: Andrew Thomas