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April 20 2014

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17 posts tagged "Victoria Bartlett"

The Split-Second Preview: VPL

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The Fall ’14 Ready-to-Wear collections are under way in New York, and will be followed by the shows in London, Milan, and Paris. Before the new clothes hit the runway, we’ve asked some of the most anticipated names to offer a sneak peek. Per usual, it’s a busy time for all—designers and fashion followers alike—so we’re continuing our split-second previews: tweet-length at 140 characters or less. Our entire collection of Fall ’14 previews is available here.

VPL

WHO: VPL, designed by Victoria Bartlett

WHERE: The World Wide Web

WHEN: Saturday, February 8

WHAT: “PROACTION is VPL’s movement toward performance and high-tech design. Continuing a dialogue true to VPL, examining what is commonly hidden.” —Victoria Bartlett. The designer sent us a detail shot of a Fall ’14 fabric, above.

Photo: Courtesy of VPL

A Lot Can Happen on La Divanee

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Jessica Mitrani and Rossy de Palma

Last night, director Jessica Mitrani invited such pals as Threeasfour’s Gabriel Asfour, Adi Gil, and Angela Donhauser, Glenn O’Brien, and Victoria Bartlett to an intimate gathering at her exotic (think zebra-skin rugs and a grand white peacock) Tribeca apartment. The occasion was the completion of her new short film—La Divanee, starring Fatimah Azzahra—

De Palma's voice-over helps tell the story of Mitrani's heroine, who chooses to spend her entire life actively reclining on a chaise longue. “It came from a few ideas—the first being when I wake up in the morning and can just contemplate in my bed. I think those moments are quite special. And the other idea was about a reclining nude,” Mitrani explained, noting that she felt classical female nude artworks focused on women of leisure and were geared toward the male gaze. “I thought, What if I make a recline that’s very productive?” Indeed, the leading lady is just that—during the movie she gives birth, writes seven novels, and hosts a salon every Wednesday. In keeping with Mitrani’s artistic inspiration, the film’s star is nude, save what appears to be a giant strip of snakeskin draped over her body. But the director—who won last year’s ASVOFF festival with her religious hat-centric short, Headpieces for Peace—asserted that clothes, and what they represent, are essential to her films. “Fashion is narrative; it’s part of the dialogue. All my films have a fashion element because fashion is a mode of communication.”

Speaking of clothes, de Palma, who was decked out in Dolce & Gabbana, Miu Miu, and Armani, offered, “This is a very special film. Jessica has an amazing energy and sense of humor.” When asked where she’d choose to perma-lounge, de Palma responded that she wouldn’t mind spending the rest of her days in New York perched “somewhere on the High Line.”

Bartlett, whose one-eyed cat, i-D (named for the mag), has a supporting role in the film, quipped that she’s not the “reclining” type. “I’m too active. I’m not a couch potato…” That may have something to do with her latest project—a reimagining of the VPL aesthetic via high-fashion gym clothes. “We’re converting everything into activewear. It’s going to be gymwear, but it’s going to have a life that can cross from day gym to night.” The sporty endeavor is set to launch this July.

Photo: Carly Otness/BFAnyc.com 

The Split-Second Preview: VPL

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As we enter into a month of fashion shows, we’ve asked some of this season’s biggest stars and most anticipated new talents to offer a sneak peek. Naturally, it’s a busy time for everyone—designers and fashion watchers alike—so we’re pioneering the split-second preview: tweet-length previews at 140 characters or less. To view all of our Fall ’13 previews, click here.


WHO: VPL, designed by Victoria Bartlett

WHERE: New York, NY

WHEN: Saturday, February 9

WHAT: “The VPL dialogue centers on the mix of shapes like a jigsaw puzzle coming apart + rejoining; surfaces are segmented, dissected + rejoined.” —Victoria Bartlett. The designer sent us a collage of inspiration images, above.

Please, Do Touch The Art

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Last night at Artisanal House, a renovated Chelsea town home turned gallery, Victoria Bartlett presented her Spring 2013 VPL collection to close friends and fans. But in true VPL style, this was no ordinary presentation; rather, it was a fusion of art, fashion, and whimsy, a combo the designer has mastered. Bartlett transformed the modern space via art by jewelry designer Jill Platner (who also co-hosted the event with Il Buco’s Donna Lennard). And while some guests weren’t exactly sure how to navigate around the jeweler-cum-artist’s giant moving honeycomb sculptures that dangled from the ceiling, Platner encouraged them to interact with the works. “It’s meant to move! It’s meant to be touched!” she assured. Bartlett enlisted a little audience participation, too. The designer asked some of her closest friends, like Arden Wohl, Julie Gilhart, and Tomoko Ogura, to model her new wares. Each picked out her favorite Spring 2013 VPL dress to flaunt. “We’ve got an army of really strong women!” said Bartlett of her models. “They’re all like family.”

Photo: Studiowebber.com

Sustainable Design Gets A New Home

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Steven Kolb was at breakfast this morning at the place he called “the best store in the city”: ABC Carpet and Home. As of now, the furniture and housewares landmark will offer a curated selection of sustainable pieces by CFDA designers, including those who have won the annual CFDA/Lexus Eco-Fashion Challenge, which awards $25,000 prizes to selected designers whose businesses are at least 30 percent sustainable. “Fashion is about change, and these designers are at the forefront of this idea that eco-fashion doesn’t have to be branded independently,” Kolb said today, toasting the 2011 and 2012 winners: Marcia Patmos, John Bartlett, Johnson Hartig of Libertine, Pamela Love, Melissa Joy Manning, and Victoria Bartlett of VPL. Their collections were on display alongside those of Diane von Furstenberg, Donna Karan, and Loomstate’s Rogan Gregory and Scott Mackinlay Hahn.

Sustainability tends to flow in and out of the fashion conversation—”People don’t realize that we manufacture in New York City with stones that are sourced ethically, because it’s not really part of our branding,” Love said, “but I started my jewelry line in my house in Brooklyn because I didn’t realize there was any other way to do things”—but the CFDA is hoping to bring it to the fore. For that, Patmos said, “The shop is really great because it makes the whole thing tangible.” She was so excited at winning the award, she added, that she’d wanted to jump up and down. “But I was at my desk when Steven called me with the news, so I had to contain myself.”

Photo: Warwick Brown