10 posts tagged "Vika Gazinskaya"
The panel of experts has spoken, the votes are in, and today we can announce the twelve talents who will move on to the final round of the heated LVMH Prize for Young Fashion Designers competition. Atto by Julien Dossena, CG by Chris Gelinas, Gabriele Colangelo, Shayne Oliver’s Hood by Air, Jacquemus by Simon Porte Jacquemus, Miuniku by Nikita and Tina Sutradhar, Thomas Tait, Tillmann Lauterbach, Tim Coppens, Simone Rocha, Suno by Max Osterweis and Erin Beatty, and Vika Gazinskaya will go head-to-head for the award’s 300,000 euro grant. A slideshow of the designers’ looks is available here.
But wait, you might be thinking. Weren’t there only supposed to be ten finalists? Yes, but LVMH’s team of forty industry insiders simply could not decide after surveying the work of the competition’s thirty semifinalists during an event at Paris fashion week. “It’s so hard,” offered Louis Vuitton’s executive vice president Delphine Arnault, who has been spearheading the initiative. “When we compiled the votes, four designers all had the same amount, so we let twelve in. I think it’s good.” We’re sure the finalists would agree.
The dozen men’s and womenswear designers, who hail from round the globe, will each have fifteen minutes to present their Fall ’14 collections at the LVMH headquarters in May. Judges including Karl Lagerfeld, Raf Simons, Nicolas Ghesquière, Marc Jacobs, Riccardo Tisci, and others will consider their efforts, and later choose a winner. “All the [LVMH Prize] designers are really enthusiastic,” offered Arnault. “I’m sure the contestants are nervous, but at the same time, it’s an amazing opportunity to meet all these people.” In a room filled with powerhouses like that, we’d be nervous, too, but the final twelve can take solace in the fact that at least one prestigious juror has been in their shoes. “Karl [Lagerfeld] started his career after winning a prize, but he told me there were 200,000 applicants, not 1,200 as we’ve had,” relayed Arnault. “Karl even had to sit and draw in front of the judges to prove that someone else hadn’t done his sketches for him.” As for the eighteen semifinalists who didn’t make the cut, they can take solace in the fact that they’re eligible to apply again next year. “I’m sure they must be very disappointed, but I hope they see it as an opportunity. And I hope we helped them to make some key connections in the industry.”
The fashion biz has had quite a year. 2013 was jam-packed with major designer shakeups, groundbreaking ad campaigns, celebrity collaborations, and pop star performance wardrobes filled with custom-made designer duds. In the final days leading up to 2014, we’re counting down Style File’s most popular twenty stories of the year. So sit back, relax, and relive 2013′s unforgettable moments. Let’s kick things off with numbers twenty through sixteen, below.
20. Rihanna and River Island Take London Fashion Week
Rihanna stirred up some anarchy in the U.K. when she and Adam Selman debuted their risqué River Island collection at London fashion week in February. Style.com had a front-row-seat to the star’s design debut.
19. Maison Kitsuné’s Retro Pop Experience
Gildas Loaëc and Masaya Kuroki, the talents behind cult fashion brand-cum-record label Maison Kitsuné, were Pitti W’s Fall ’13 guest designers. And in keeping with their quirky, multidisciplinary roots, the pair put on a riotous musical fashion presentation. Style.com was on the scene to document their sixties-themed extravaganza.
18. Dior Walks the Red Square
Last July, for the second time in history, Dior staged a show in Moscow’s Red Square. As you can imagine, the festivities, which were hosted inside a purpose-built mirrored pavilion, were brimming with glitz and glamour—albeit of Dior’s sleek and tasteful variety. Designer and Style Map contributor Vika Gazinskaya took us inside the memorable affair.
17. Playboy‘s Artist Pals Are Rethinking Sexy—But Is It Porn or Art?
Playboy has had a big year, what with Kate Moss covering its sixtieth anniversary issue and Richard Phillips’ controversial Playboy Marfa installation. Back in May, the magazine’s new director of special projects, curator Neville Wakefield, asked artists Aaron Young, Malerie Marder, and Alex Israel to create works featuring Playmate of the Year Raquel Pomplun. So we asked the question—were the results porn or art?
16. Bike Like Baba
In 2013, just six years after Paris inaugurated its shared vélo program, New York finally caught up and launched its ever-popular Citi Bikes. But traffic-inducing tourists aren’t the only ones using the vehicles—the bicycles were a popular mode of transport at New York fashion week. During the Spring ’14 shows, we talked to eccentric stylist and cyclist extraordinaire Catherine Baba about the dos and don’ts of biking about town.
Yesterday, Dior staged its second show in Moscow—the first having been held in 1959. Russian designer (and street-style maven) Vika Gazinskaya was there to experience the event firsthand. Here, she reports back from the Red Square and gives us the inside scoop on the opulent evening.
When Christian Dior came to Russia in 1959 to show his collection at Moscow’s GUM department store, the reaction was as if space aliens had landed. Russian women were still recovering from the horrors of World War II. Many of them had lost their husbands and sons, so scraping together money to buy high heels wasn’t exactly a priority.
Thankfully, those times are behind us. Moscow is quickly becoming a fashion capital, and yesterday, Dior returned to the city to restage its Fall ’13 show at the city’s most historic landmark, the Red Square. It was a celebration of beauty set inside a mirrored pavilion specially built for the occasion, not to mention the first time the Red Square has ever hosted a défilé.
Dior’s “space aliens” looked really shocking to the Soviet people in 1959. Our nation was still recovering from WWII, and building a “new era of communism,” in which there was no place for heels and beautiful dresses.
I was proud when I heard producer Alexandre de Betak say that he was impressed by the show’s set. V-Confession Agency, owned by Ksenia Tarakanova, built the mirrored pavilion in the Red Square. I loved the space, and I think my blouse matches well! Continue Reading “Dior Walks the Red Square” »
There’s been lots of talk about the controversial practice of “peacocking” this season. But as we look back at four weeks of Fall ’13 shows with weary eyes, a few designers (and street-style stars) remind us that the f in fashion stands for fun. And perhaps embracing that with a little panache isn’t such a bad thing—particularly when it comes to novelty accessories. Take Dior, for instance: This season, Raf Simons brought a dash of wit to his slick collection by embossing boxy handbags with Warholian sketches of pointy single-soled shoes, thereby fusing two of our favorite things into one. (His raised-eyebrow sunglasses also deserve an honorable mention.) At Fendi, Karl Lagerfeld garnished his handbags with furry multicolored dice (one of which reminds us a little bit of an Angry Bird), and over at Chanel, he sent out models with mini-globe handbags and cobalt, powder-pink, mint-green, or red fur Anna Wintour bobs that looked like they were plucked from an anime cartoon. Speaking of fur, we can’t forget the giant skunk-striped mittens that turned up at Altuzarra or, for that matter, the arctic-appropriate full-length black gloves at Alexander Wang.
We also saw loads of cheeky headgear (Yazbukey‘s Plexiglas heart-and-arrow hat, Piers Atkinson‘s devil-horn cap, Meadham Kirchhoff‘s unicorns-in-love crown), jewelry (Henry Holland‘s crystal martini earrings, Lanvin‘s wildly appropriate “Help” pendants and wasp brooches, Louise Gray‘s eggbeater earrings), and miscellanea (Dsquared²‘s Sunset Boulevard-worthy extra long crystal-encrusted cigarette holders). But the sartorial satire wasn’t just on the runway. Outside the shows, Tommy Ton captured everything from skeleton gloves to Vika Gazinskaya’s scarf, which is made out of what appears to be a stuffed-animal iteration of a lemur. Sure, many of the shows were dark and somber, with their punk themes and muted palettes. But that just made the odd touch of zany all the more welcome.