3 posts tagged "Willem Dafoe"
From Warhol’s Factory to Basquiat’s studio, throughout the eighties, downtown Manhattan was the place for young creative types to be. Photographer Jeannette Montgomery Barron was there, and her new tome, Scene, is a sort of yearbook of the time, documenting the likes of Cindy Sherman, Keith Haring, Francesco Clemente, Willem Dafoe, and more early in their careers. “I was just a fly on the wall,” recalls Montgomery Barron, speaking at Indochine, one of her old haunts. (“It looks almost exactly the same, but there were a lot of drugs happening in the bathrooms back then.”) This afternoon, she’ll sign copies of Scene—which, in addition to the snaps, features personal anecdotes about each artist—at Bookmarc, and starting tomorrow, a select group of her black-and-white photographs will be on display in an exhibition at ClampArt. Here, Montgomery Barron discusses her book, and reminisces about shooting Warhol, working out with Bianca Jagger, and spending time with Basquiat.
How did you find yourself in the center of the eighties New York art scene?
I was just lucky. It’s not that I went out and said, “I want to record every artist from A to Z.” It was more like I’d photograph Francesco Clemente, and he’d say, “You should really go photograph my friend Kenny Scharf.” It was very organic in that way. And, I mean, I knew I could drop a name. I’m sure I said, “Hey, I’m a friend of Andy Warhol. Can I shoot you?” I guess I’d get an adrenaline surge.
In the book, you mention that you could just call up Andy Warhol and ask to take his picture. What were those sittings like?
The first time I photographed him was at the Factory in Union Square, and he wouldn’t even let me out of the outer lobby. When I met Bianca Jagger and we became friends, he warmed up. He never really talked much, but he always made you feel like you were the most brilliant person who said the most profound things. Continue Reading “See and Be Scene: Jeannette Montgomery Barron on Her New Book” »
When Miuccia Prada unveiled her Fall ’12 menswear collection in January, it was every bit the theatrical event that the invitation had promised (“Prada Presents: Il Palazzo. A Palace of Role Play”), complete with a host of acting stars parading down the red carpet runway instead of the Golden Globes happening the same day in L.A. Four of those actors, Gary Oldman, Garrett Hedlund, Jamie Bell, and Willem Dafoe, have reappeared in the label’s David Sims-lensed, portrait-style Fall campaign. To continue the parody of power that came through so strongly at the runway show, Prada had the actors stand in front of a dramatic red backdrop and strike exaggerated poses for the shoot. Here, Style.com has a first look at one of the photos.
As artists go, Richard Lindner is hardly a household name. The painter, born in Hamburg in 1905, put a geometric spin on Expressionism, taught at Pratt and at the Yale School of Art and Architecture, and died in comfort—if relative obscurity—in 1978. All that to say, Lindner isn’t exactly a go-to for designers, but that didn’t stop Andreas Melbostad from building his Fall ’09 Phi collection around the painter’s work. “There’s an interesting corseted quality to Lindner,” explained Melbostad, who said he’d never heard of Lindner until coming across a photo of one of his canvases in a magazine a few months ago. “He had a very compelling take on the female form, as well. So that’s where I started.” Going from obscurity to obscurity, Melbostad next seized on the Willem Dafoe movie The Loveless—a touchstone film for anybody obsessed with black leather or the director Kathryn Bigelow, but kind of a “Huh?” inducer for everyone else. “It’s all about bikers,” Melbostad noted. “So you can see where I got the idea to do motorcycle jackets and bandana prints.” And corset belts and high-heel buckled creeper shoes, both of which moved the Phi crowd to a swoon of desire. Richard Lindner and The Loveless may not be hot cultural commodities, but expect the Phi accessories inspired by them to come to some fame.