6 posts tagged "Yasmin Le Bon"
Matchesfashion.com is paying tribute to strong, independent women this week with “Iron Girl”—a series of portraits shot by Helena Christensen and Jen Carey for the September issue of Rika Magazine. The snaps star Julianne Moore, Dree Hemingway, Caroline de Maigret, Lucie de la Falaise, and, of course, Christensen, sporting “Iron Girl” sweaters, which, priced at about $178, will be sold exclusively at Matches starting tomorrow.
It’s no secret that nineties supermodels are having a comeback, with Christy Turlington, Yasmin Le Bon, Naomi Campbell, and Elle Macpherson fronting a dizzying array of ad campaigns, magazine covers, and prime-time modeling shows. Christensen is no exception. She recently appeared in a seminude spread for FutureClaw magazine (which caused its Web site to crash) and has also been busy as a shutterbug, serving as Oxfam’s global photographer. “I have worked on both sides [of the camera] for over twenty years now and thoroughly enjoy the creative process of either,” Christensen told Style.com. “I have learned so much doing both jobs, and that knowledge has helped me evolve as a photographer and inspired me as a model,” she explained, noting that a Polaroid camera is her weapon of choice.”
Rika founder Ulrika offered that choosing the Iron Girl models was no easy task, but ultimately she looked for women who have “a keen sense of who they are. They have an understated but cool edge and an ageless style; they are the nonchalant women of the world who inspire the people around them.”
Matchesfashion.com will host an exhibition of the photographs on July 18.
“I wanted to show English humor and irreverence,” said Stella McCartney, so demure that butter wouldn’t melt in her mouth, even though, minutes before, she’d proved that unleashing mass hysteria in an audience is a talent that clearly runs in the family. To launch her exclusive London Evening collection for Fall 2012 (slideshow here), McCartney threw a black-tie bash at One Mayfair, a soaring neoclassical space that used to be the church where Led Zeppelin played its first London gig in 1968. At the beginning of the evening, when show producer Sam Gainsbury cryptically promised “something big,” there was a millisecond or so when I imagined a Led Zep reformation. One could but dream. Father Paul in a reprise of his Grammy performance? That, at least, would be easier to swing.
The crowd—including Rihanna, Kate Moss and Jamie Hince, Mario Testino, Juergen Teller, the Le Bons, the Driver sisters, Stella Tennant, Bianca Jagger, and belle of the ball, Shailene Woodley—was well seeded with models in Stella dresses. Not, they insisted, the clothes we had come to see. “We’re just guests,” said Kinga Rajzak, dazzling in a black sheath with a white contoured effect. She was one of the new guard of girls on hand. Shalom Harlow, Amber Valletta, Yasmin Le Bon, and Anouck Lepère were also wearing Stella gowns, ranging from variants on the contouring to marble-printed bubble dresses to confections spun from vibrant orange or electric blue lace. Lucie de la Falaise brought daughter Ella on her first big fashion night out. Appropriate, then, that they’d be staying over at godmother Moss’ London pad.
After guests chomped through a veg feast of five small but perfectly formed courses, Dutch illusionist Hans Klok, World’s Fastest Magician, took to the stage. He laid a hypnotized Alexa Chung across three huge scimitars and left her essentially floating in mid-air, balanced on the sword on which her head rested. Trance state or not, she claimed she could still feel the point of the blade an hour later. Childlike glee is always my default position with magic tricks, but surely this was not the “something big.” Suddenly, there was an almighty shriek from a nearby table, where it seemed like a scrap had broken out between a guest and a waiter. Then Led Zeppelin’s “Immigrant Song” came walloping over the sound system, and all hell broke loose. Models, waiters, and Shailene Woodley flew hither and yon in a breathtakingly tight dance routine choreographed (in 24 hours, apparently) by Blanca Li, a fierce-looking but funny Spanish woman who was sitting at my table quietly chatting with Pedro Almodóvar’s costume designer Paco Delgado one minute and whirling through space like a dervish the next. But in amidst the physical frenzy, there was the elegantly precarious image of Shalom, Amber, and Yasmin parading around the room on catwalks improvised from chairs placed under each foot as they took a step.
“Something big” it was, indeed. And thrilling and surprising. Even Simon Le Bon had no idea what his wife was about to do. It was all a remarkable testament to timing, pluck—and the remarkably pliable properties of Stella’s eveningwear.
CLICK HERE for the complete Fall ’12 eveningwear collection, plus pictures from the party and performance >
Miller Sisters Leave Twenty8Twelve, Victoria’s Secret Launches Luxe Lingerie, Yasmin Le Bon’s 100-Pound Dress, And More…-------
Sienna and Savannah Miller, who served as co-creative directors of Twenty8Twelve, are leaving the London-based label to work on their own projects. The label will show its Fall ’12 collection at London fashion week in February as planned. [Vogue U.K.]
Victoria’s Secret launched its first high-end lingerie line yesterday on victoriassecret.com
Yasmin Le Bon walked the runway for Stephane Rolland’s Couture show yesterday wearing a dress that weighed over 100 pounds. The train was so heavy she needed two assistants to help her make it down the runway. [Huff Po]
Christian Louboutin and YSL took their legal battle back to the courtroom yesterday. Diane von Furstenberg was in attendance to support her close friend Mr. Louboutin. “Now that the hearing is over, the judges will decide whether Marrero’s verdict stands, or if it will be reversed,” WWD reports. [WWD]
“I Thought, Well, If We’re Going to Use Models, Why Don’t We Use Supermodels Whom We’ve All Known for Many Years?”-------
Duran Duran’s much-blogged-about video for “Girl Panic!” went live on the Internet today. In the nine-minute clip directed by Jonas Akerlund of Lady Gaga’s “Telephone” fame, Simon, John, Nick, and co. are played by the supermodels they partied with way back when: Naomi Campbell, Cindy Crawford, Eva Herzigova, Helena Christensen, and Simon’s wife, Yasmin LeBon, lip-synch, strum guitars, pound on drums, and vamp for the paparazzi just like the boys did in their 1980s heyday. Style.com spoke with Nick Rhodes via phone from London about the new video and the band’s longtime love of fashion. They were sitting front-row at Versace’s Fall show in February, but they’ve been palling around backstage with the likes of Azzedine Alaïa for decades.
Tell me about genesis of the project.
Awhile back I had an idea to have some models play Duran Duran in a video, to get look-alikes and to style them like we were when we started out. But then I thought, Well, actually if we’re going to use models, why don’t we use supermodels whom we’ve all known for many years? I thought it was fitting that we all came up through the same period. There’s a little bit of an eighties feel to ‘Girl Panic!’ It references some of the sound we had back then, it just all seemed to marry very well. And when I brought the idea to the band, there wasn’t even a heartbeat, everyone said, ‘Yes, perfect!’ We started on a crusade to get the right girls. That’s where it got more complicated. They all have very busy schedules, and we also had fairly busy schedules. The director [Jonas Ackerlund] has a phenomenally busy schedule, and trying to coordinate it all was a task as complicated as anything that we’ve ever done.
So, did you handpick Eva Herzigova to play you in the video?
Mine was the last one to fall into place, actually. The beautiful irony is that Eva was on our very first list. We put Eva down, but she was unable to do it because she was pregnant. But because it took another six months to organize the video, she had had the baby. It was really quite fortuitous how long it took.
How did the supermodels do representing you?
We didn’t want to do a remake of the Robert Palmer “Addicted to Love” video, with the girls in the Alaïa dresses with the red lips. We wanted it to look like they were really delivering the song. That’s asking a little bit more from girls who aren’t natural musicians, but they were all so up for it that they wanted lessons. Eva was fantastic. Helena chose drums. Cindy wanted to do the bass. I have to say, with all the reputations, there’s a reason they’re so super. They’re so professional, so patient, and easy to work with.
In the making-of video that Style.com launched last week, Naomi Campbell remembers waiting for the band outside of the BBC. Do you have any early memories of her?
We met Naomi very early, when she was about 17. She was with the same agency as Yasmin [LeBon, Simon's wife], she came out to a dinner. And how on earth can you forget a face like that, and a bubbly personality and determination to match? I was hardly surprised she became so enormously successful. She’s very much the same now as she was then. I remember all of the girls from the Alaïa shows and the Versace shows. We used to see a lot of those shows. Azzedine is as clever as you get, knows how to make women look beautiful.
I guess I shouldn’t be surprised by how much you know about fashion, but I am.
We’ve always had a real admiration for fashion and style, so a lot of my personal friends are within the industry. I always watch the Central Saint Martins graduation show when I can. We’re getting our energy back in London. We used to have Vivienne [Westwood], McQueen. There was a time when fashion week felt much more significant; we lost it again. A lot of the American editors stopped coming over, but I feel that we are really starting to get a grip on it again. Other cities are more driven by the commercial. The ideas here are much more modern.
Do you have a favorite Duran Duran video? Will you make another video for a single on All You Need Is Now?
This is as good as any video we have ever made; it has great humor and style. And it’s very sexy, I have to say. But “Wild Boys” has held up very well, “Save a Prayer,” and “All She Wants Is” won a lot of technical awards—it was shot a frame at a time. We weren’t planning on doing a lot of other videos for this album, but we’ll see what kind of impact this has, what kind of response we get. Working with Jonas on this one was pretty extraordinary. We’d have to do something very different.