31 posts tagged "Yohji Yamamoto"
Come Thursday, Dover Street Market won’t be the only conceptual Japanese-centric retailer in town—Tokyo-based department store Isetan is bringing its Nipponista pop-up to Soho. “Isetan considers New York the hub of fashion in the business sense, and their ultimate goal is to open a permanent store,” said Kohsuke Miki, the creative director of the project. The weeklong pop-up is sponsored by both Isetan and the Japanese government’s Cool Japan initiative, through which the Ministry of Economy, Trade, and Industry aims to promote Japanese products, craft, and technique abroad.
“For more than twenty years, there hasn’t been significant [Japanese] talent that actually surpasses the talent that existed before it,” Kohsuke said. “In the eighties there was Rei Kawakubo and Yohji Yamamoto, and in the seventies there was Issey Miyake, Kansai Yamamoto, and Kenzo Takada.” Kohsuke believes that Nipponista, a cuter construct of the word Japanophile, is the right first step in establishing the new guard of Japanese creative talent and design.
Nipponista’s 2,000-square-foot space, which debuts exclusively here, features wares from some of the heritage brands Kohsuke mentioned—there’s a vintage Yohji Yamamoto ensemble, as well as choice pieces from Kansai Yamamoto’s latest collection (he revived his brand in 2013). But a coterie of designs from five emerging talents, who were commissioned to craft clothes in traditional Japanese indigo, or “Japanese blue,” is the centerpiece. Other fashion offerings include handmade sneakers from Hender Scheme, wearable embroidery from Maison des Perles, geometric jewelry from Shihara, delicate scarves from Suzusan, and garments from Anrealage and Yoko Chan, among others. Everything in the shop—even the giant window display of a teddy bear, which was constructed with hundreds of tiny balloons by artist duo Daisy Balloon—was made in Japan. Continue Reading “Nipponista Lands in New York: Finally, a Pop-Up Store That’s Worth Visiting” »
We here at Style.com are anxiously awaiting the arrival of Rei Kawakubo’s New York Dover Street Market, which will open its doors on Saturday. But according to WWD , the Big Apple is in for yet another dose of Japanese retail bliss. Isetan, Japan’s largest, and possibly coolest, department store, is opening a pop-up in Soho. The shop will bow at 47 Greene Street and is slated to run from February 6 to 13—launching just in time for fashion week. Isetan comes to us by way of the Cool Japan campaign, an effort by the Japanese government to help brands get global exposure. Kansai Yamamoto (i.e., the designer who created David Bowie’s famous striped jumpsuit), Mint Designs, N. Hoolywood, and Yohji Yamamoto are just some of the labels that will be available. All we have to say is, Arigato.
Last year, Gill Linton launched Byronesque.com, a comprehensive Web site that, backed by Andrew Rosen and the late Marvin Traub, offers high-end vintage wares and sharp editorials. The online platform boasts a veritable treasure trove of rare, authenticated vintage designs, like an azure Jean Paul Gaultier frock, an asymmetrical Yohji Yamamoto dress, and a bevy of Thierry Mugler and Alaïa. And while it all looks spectacular in one’s browser, Linton felt she should create an IRL experience with the digital destination’s best stock.
Enter the site’s first brick-and-mortar venture, Byronesque.com//Offline, an exhibition and boutique housed in the dilapidated annex of the James A. Farley Post Office in New York City. Offline is complete with video installations, melancholic wall art by Craig Ward, and a vault of approximately forty impeccably dressed mannequins. Yesterday evening, insiders gathered to fete the project, which was punctuated with a live Polaroid photography session by the inimitable Michèle Lamy. “It’s difficult to [decide] what is mainstream or not…but being here feels real, and what they are trying to do is very important,” Lamy said of the site.
“There’s so much potential in vintage fashion,” said Linton. “It’s made better, there’s a story behind it, and there’s a history behind it. The way I merchandise the store is through storytelling—there’s a curve of Vivienne Westwood from Pirate to Seditionaries, for example—but it’s not that it has to be a linear progression. It’s about the energy of stuff.”
The stuff on display includes a 1984 John Galliano men’s kimono coat from his graduate Central Saint Martins collection, Les Incroyables (not for sale); a burlap Alexander McQueen look from F/W ’02; a 1986 Azzedine Alaïa leather zip dress; and a Katharine Hamnett allover marijuana-leaf-print bodysuit.
Glenn O’Brien lent his support by co-hosting the affair. “Everybody mixes vintage in,” he said, “I can’t tell you how long I’ve had this Kilgour, French, & Stanbury coat; it must be twenty years since I bought it at Barneys. Vintage is kind of where the next ideas come from. You can be a step ahead by wearing something that’s so out that it’s just about ready to come back.”
Byronesque.com//Offline will open to the public on December 12 and run through the 15th. Located at the James A. Farley Post Office on Eighth Avenue at West 31st Street, the show will be open from 11 a.m. to 8 p.m.
Olivier Saillard—author, poet, star fashion curator—tends to prefer a contemplative moment over a grand event. He is also fond of saying that, had he ever studied fashion design, he would have done “just one dress” and then retired his tape measure.
Last night in Paris, he offered both. Eternity Dress, a fifty-one-minute performance starring Tilda Swinton, sponsored by Chloé, and staged at the École des Beaux-Arts this week as part of the city’s fall festival, has been sold out for months. In it, Saillard and Swinton explore the art of dressmaking, starting with lines and measurements (waist: 28 inches, and so forth) working up through flat patterns and the beginnings of a dress, which Swinton took a moment to sew on herself. As the dress took form, Swinton recited a litany of collar styles in French and released a world of emotion in the turn of a sleeve, finally draping herself in rich-hued chiffon and velvet unfurled from bolts lined up on the floor.
Ultimately, The Dress—a black sheath with long sleeves and an open back—was a stand-in for a century of fashion history, from Paul Poiret to Comme des Garçons. One of the show’s high points, as well as its biggest laugh, showed Swinton striking a series of emblematic poses for houses from Poiret to Yohji Yamamoto, by way of Chanel, Dior, Mugler, YSL, and Jean Paul Gaultier. Among a roomful of designers including Gaultier, Christian Lacroix, Bouchra Jarrar, Martine Sitbon, and Clare Waight Keller, Haider Ackermann was first on his feet for the ovation. “It’s absolutely a piece of my life,” said Waight Keller. “They’ve taken everyday materials like tape and chalk and elevated them to an art form about designing a dress from scratch. It’s about craft, measuring, and a considered approach. It’s poetry.”
“One of the things about Tilda is that she can do anything,” noted Saillard after the performance. “She’s not a ‘fashion girl,’ so she can be a sculpture, an actress, a woman, a man, she can be 18 or 75 years old. It was like we were in a bubble, and the experience gave us lots of new ideas. Fashion has to be surprising.”
At the small cocktail party held afterward at Lapérouse, Swinton added, “Olivier is a playmate. We work and play together and come up with crackers ideas for some other time—it’s wonderful to be able to play off of someone like that.” Asked whether she realizes that she would be any designer’s dream to work with, Swinton let loose a small bombshell: “Maybe it’s because I know nothing about fashion!”