4 posts tagged "Zooey Deschanel"
If celebrity status is conferred in red-carpet appearances, then no actress today can compete without the help of just the right stylist. As Kerry Washington once told Glamour after she noticeably upped the sartorial ante, “There were a couple of actresses whom I felt were having the upper hand careerwise—because they knew how to work that red carpet.” A carefully crafted collaboration between stylist and client, the perfect look can create an indelible impact on agents, casting directors, and those of us watching from the sidelines. Straight from the epicenter of all things celebrity, we’ve asked some of the industry’s top stylists to share their experiences and impressions from their perch above Tinseltown. With our new Dressing for Fame series, we bring you an exclusive, insider look at everything it takes to create those iconic moments captured by a million photo flashes.
As one-half of the bicoastal styling team Kemal & Karla, Karla Welch holds down the proverbial fort in Los Angeles (her partner does the same in New York), tending to her coterie of clients. Those “girls,” as she affectionately calls them, include an array of talents, such as Amy Poehler, Zooey Deschanel, Olivia Wilde, Robin Wright, and Hailee Steinfeld. Bringing a relaxed California vibe to the partnership, Welch’s résumé spans an impressive list of advertising campaigns, editorials, commercials, and those always-prescient red-carpet appearances. With a keen sense of individuality and an astute awareness of her clients’ singular needs, Welch delivers looks that are fitting for the wearer, and breathtaking for us watching at home. Here, Welch reveals exclusively to Style.com how she juggles her busy schedule, what it takes to find the perfect red-carpet look, and the most important thing she’s learned along the way.
How did you originally break into styling?
I made my husband [photographer Matthew Welch] hire me.
What was your pivotal “I made it” moment?
Ha, I’m not sure. I’ve never thought about it—though my trip to Dallas this year for the Chanel show was pretty epic. I’m forever excited to keep growing.
Mad Men just premiered and Elisabeth Moss has had quite the red-carpet run. How has her style evolved over the show’s many seasons?
Lizzie and I have just been working together for the last year and a half. It’s been fun to work our way into these great fashion moments and having designers wanting to lend. Her talent is huge—we came together at a wonderful point.
You worked with Amy Poehler on her Golden Globes wardrobe. How does styling an awards show host differ from styling a single red-carpet look?
Well, the main thing is that she is working up there. She has to be able to move, look great on camera, do a quick change, win! But the process is similar to anyone attending. We just times it by four.
Do you think a dress should be able to stand on its own, or do you sometimes want the accessories to really shine?
The dress is the cake. The rest is the icing.
Do you ever have a typical day? If so, what does it look like?
Coffee. Team meeting. E-mails. Showroom pulls. Store pulls. Fitting. Home. Sleep. Repeat.
Where can we usually find you—and what are you doing—at the end of awards season?
Moving on to the next.
How do you manage all of your numerous clients and their disparate personalities, aesthetics, and tastes?
Whenever I start with a new client or a press tour for one of my girls, I try to really clear my mind and think, Where are we going with our look? What story are we telling? From there, I do market work for each client every season and keep a bible of what I will request for specific events. You know with each client what will work, who will like what. We keep notes, but I’ve worked with the majority of my clients for many years, so it’s all in my brain.
If you weren’t styling, what would you be doing?
Fighting for girls and women’s rights. Professionally.
What have you learned from red-carpet mishaps?
Always have a backup dress.
How do you manage your own style when you’re working so feverishly on other people’s looks?
I can dress in ten minutes and I always have a red lip!
As we’re sure you’re aware, last night, Hollywood’s elite walked the red carpet for the Golden Globes. But it wasn’t just a big evening for the actors and directors who took home gilded statuettes—it’s an important affair for fashion folk, too. Mega stylists Karla Welch and Kemal Harris were not just on the scene, but also behind the scenes dressing co-host Amy Poehler (who looked svelte in Stella McCartney), Elisabeth Moss (who took home a best actress award while wearing J. Mendel), Olivia Wilde (who was radiant in Gucci Première), Zooey Deschanel (who opted for an elegant Oscar de la Renta gown), Robin Wright (who shimmered in Reem Acra while accepting her best actress honor), Hailee Steinfeld (who partied in Andrew Gn), and more. Here, Welch shares the pair’s Golden Globes diary and gives Style.com a firsthand account of what it’s like to dress leading ladies for one of Hollywood’s most glam-packed events.
Here’s a behind-the-scenes peek at Zooey Deschanel’s Oscar de la Renta look for the Globes.
This is a custom cuff I designed for Jacob & Co. with the Rauwolf clutch that Amy Poehler carried.
Amy Poehler had a Stella night.
The beginning! Sketches and swatches from the Stella team.
For Amy’s opening look, we went for Neil Lane vintage gold. Our mantra was, “What would Carol Burnett do?” Sometimes, more is more and it’s always better to have fun! Continue Reading “Golden Girls: Stylists Karla Welch and Kemal Harris Take Us Inside the Glamorous Globes” »
Liv Tyler (pictured) reportedly flew into a panic when she thought she had lost her one-of-a-kind Givenchy jacket at an after-party for the Met ball, but Lino Pastrana, a masseur who apparently works wonders on Donna Karan, Donatella Versace, and Riccardo Tisci, crawled under a table and retrieved it. Healing hands indeed. [Page Six]
Net-a-Porter’s magic hour? “It’s that kick-back moment at 9 p.m. when we notice a big surge in sales,” reveals Alison Loehnis, the site’s new managing director. “That and lunch time.” [Telegraph]
Queen Elizabeth II’s Diamond Jubilee is being celebrated this year, and diamond giant De Beers is joining the brigade of Brit labels that have signed on to toast the monarch. The company has created a Talisman crown with over 600 rare raw diamonds and precious stones, with a 73-carat diamond at the top. It will go on show at Harrods on May 15. [Vogue.fr]
Adorkable’s going country. New Girl star Zooey Deschanel tweeted last night that she’s agreed to play country legend Loretta Lynn in a Broadway adaptation of Coal Miner’s Daughter, Lynn’s life story. Sissy Spacek famously won an Academy Award for her portrayal of Lynn in the 1980 film version. [Paper]
At long last, June’s storm clouds have parted, the beach towels have been spread, and we even detect love in the air. The timing couldn’t have been better for last night’s Cinema Society screening of 500 Days of Summer, a whip-smart romantic comedy (yes, we just used “whip-smart” and “romantic comedy” in the same phrase). The title refers not to the season but to a blue-eyed heartbreaker played by Zooey Deschanel, and the chunk of time that a young man (Joseph Gordon-Levitt) spends helplessly hung up on her. Some guests at the Tribeca Grand screening (which was co-hosted by Brooks Brothers and Cotton Inc.) were thinking more of the fun-in-the-sun summer connotation, however. Jason Wu was fretting he’d lose the glow he just got in Turks and Caicos, while Hilary Rhoda was lamenting her failure to apply sunscreen (“I wasn’t paying attention!”) for tennis in Westchester earlier in the day. Deschanel, slated to introduce the screening, had to cancel last minute to take a film role in Ireland. But supporting cast member Geoffrey Arend was there with fiancée (and Mad Men bombshell) Christina Hendricks. The couple was very much in the spirit of things. “We’re here in New York planning our wedding,” Hendricks said. “What’s more romantic than that?”